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Childs, David Jason – Social Studies, 2014
Imagery and sounds from television, film, music, the Internet, and other media bombard American youth; dictating to them how they should act, think, or what they should believe. They often do not realize that they find much of their identity and belief systems in messages put forth to them by popular culture (Du Gay 1997; Hall 1997). Young people…
Descriptors: Racial Bias, Racial Factors, Ethnic Stereotypes, Popular Culture
Prier, Darius D. – Peter Lang New York, 2012
"Culturally Relevant Teaching" centers hip-hop culture as a culturally relevant form of critical pedagogy in urban pre-service teacher education programs. In this important book, Darius D. Prier explores how hip-hop artists construct a sense of democratic education and pedagogy with transformative possibilities in their schools and communities. In…
Descriptors: Social Justice, Urban Schools, Critical Theory, Teacher Education Programs
Moody-Ramirez, Mia; Scott, Lakia M. – Journal of Media Literacy Education, 2015
Using a feminist lens and a constructivist approach as the theoretical framework, we used rap lyrics and videos to help college students explore mass media's representation of the "independent" Black woman and the concept of "independence" in general. Students must be able to formulate their own concept of independence to…
Descriptors: Music, Popular Culture, Urban Culture, Poetry
Low, Bronwen E. – Urban Education, 2010
Although the number of calls to integrate Hip-Hop culture into school curricula is growing, little attention is being paid to the reluctance of teachers and administrators to forge relationships between the cultures of school and of youth. This article explores some of the difficulties inherent in the relationships between Hip Hop and schooling,…
Descriptors: Qualitative Research, Music, Poetry, Popular Culture
Vakeva, Lauri – Yearbook of the National Society for the Study of Education, 2012
There is no doubt that mediation has become a central issue outside formal music education. An outstanding example of this is digital music and its dependence on the new technologies of production, dissemination, and consuming. In this paper, the author argues that (1) mediation is one of the most important aspects of digital artistry and that (2)…
Descriptors: Music Education, Music, Music Teachers, Multimedia Materials
Reeder, Barbara – Music Educ J, 1970
Descriptors: African Culture, Music, Music Techniques
Turner, K. C. Nat; Hayes, Nini, Visaya; Way, Kate – Equity & Excellence in Education, 2013
This article features key findings from a study that highlights the transformative impact of a pedagogical approach that employs Critical Multimodal Hip Hop Production (CMHHP). The study took place in an extended day program in a northern California public middle school among a group of 30, urban, African American, Chicano/a/Latino/a, and Asian…
Descriptors: Transformative Learning, Popular Culture, Music, Teaching Methods

Green, Doris – Journal of Black Studies, 1985
Presents the basic principles of two systems for notating African music and dance: Labanotation (created to record and analyze movements) and Greenotation (created to notate musical instruments of Africa and to parallel Labanotation whereby both music and dance are incorporated into one integrated score). (KH)
Descriptors: African Culture, Black Studies, Dance, Music
Henry, Wilma J.; West, Nicole M.; Jackson, Andrea – Journal of College Student Development, 2010
This article explores unique issues regarding the effects of hip-hop culture on the identity development of young Black female college students. Through the lenses of womanist and Black feminist perspectives, the intersecting impact of race and gender are reviewed within the context of the competing influences of hip-hop on Black female identity.…
Descriptors: College Students, Females, Music, Popular Culture
Strait, John B. – Journal of Geography, 2010
Music is not often utilized in teaching geography, despite the fact that many scholars orient their research around analyzing both the historical and spatial dimensions of musical expression. This article reports on the use of a teaching module that utilizes blues culture as a lens to understand the geographical history of the United States. The…
Descriptors: Geography Instruction, Teaching Methods, Music, African American Culture
Edwards, Walford I., Sr. – Music Educ J, 1969
Part of a section, "Essays in Musical Retribalization.
Descriptors: African Culture, Cultural Awareness, Instrumentation, Language Rhythm

Green, Doris – Journal of Black Studies, 1977
Explains notational systems for African music. (AM)
Descriptors: African Culture, Blacks, Music, Music Reading
Bolles, A. Lynn – Sage, 1986
The Black anthropologist, Vera Mae Green, is featured in this analysis of the concept of soul as applied to African-Americans. Music and dance are used to express soul in cultural context. But soul is also a force, an energy which encompasses the Black experience and makes Black culture persevere. (VM)
Descriptors: African Culture, Black Culture, Blacks, Dance
Akrofi, Eric A. – Prospects: Quarterly Review of Comparative Education, 2006
This article profiles Joseph Hanson Kwabena Nketia, an outstanding musicologist, music educator, composer, and linguist. His countrymen, Ghanaians, know him best as a composer, and associate his name with his song "Yaanom Montie" and his choral compositions for unaccompanied SATB choirs--"Monkamfo No", "Nkyirimma Nye Bi" and "Monna N'ase". In…
Descriptors: Educational Background, Scholarship, Musical Composition, Music
Teves, Stephanie Nohelani – American Indian Culture and Research Journal, 2011
During the late twentieth century, Kanaka Maoli have struggled to push back against these representations, offering a rewriting of Hawaiian history, quite literally. Infused by Hawaiian nationalism and a growing library of works that investigate the naturalization of American colonialism in Hawai'i, innovative Kanaka Maoli representations in the…
Descriptors: Feminism, Visual Arts, Hawaiians, Athletes