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Choi, Eunjung; Keith, Laura J. – Music Educators Journal, 2016
Contemporary African-American classical composers Cedric Adderley, John Lane, and Trevor Weston intertwine strands of culture and individual experience to produce musical works whose distinct designs offer cultural resources that music educators can use to integrate diversity into instructional settings. Of special interest is their ability to…
Descriptors: Cultural Pluralism, Music, Music Education, Music Teachers
Joseph, Dawn – Journal of University Teaching and Learning Practice, 2012
This article reports on the power (influence) of music to develop intercultural understandings to better internationalise the curriculum. It argues that through internationalisation, we learn more about other people's cultures hence, by providing an international/intercultural dimension into the teaching unit of "Discovering Music A",…
Descriptors: Feedback (Response), Music, Cultural Awareness, Cultural Pluralism
Mapana, Kedmon – British Journal of Music Education, 2011
This article examines the musical enculturation and early education of Wagogo children of the Dodoma region in central Tanzania. In support of the enculturation premise, long-standing practices in musical enculturation among the Wagogo are described, most of which are continuing today. The Wagogo hold to the belief that the behaviours of both…
Descriptors: Foreign Countries, Music Education, Cultural Education, Young Children
Akuno, Emily Achieng' – International Journal of Music Education, 2012
This article builds on enquiry aimed to discover Kenyan music teachers' perceptions and expectations of their role; their view of the training they received; head teachers' perceptions and expectations of the role of the music teacher; and the expectations of both music teachers and head teachers of a music teacher education programme in Kenya.…
Descriptors: Teacher Education, Class Activities, Music, Professional Training
Kelly, Lauren Leigh – Journal of Adolescent & Adult Literacy, 2016
This article explores the ways in which females who identify with hip-hop often develop and construct their identities in relation to media representations of blackness and femininity in hip-hop music and culture. In order for educators to support female students in constructing identities of empowerment and agency, they should be willing and able…
Descriptors: African American Students, Females, Femininity, African American Culture
Joseph, Dawn – Australian Journal of Music Education, 2011
Australian society is increasingly multicultural, and this article provides some theoretical perspectives on multiculturalism, cultural diversity and the teaching and learning of African music. It identifies the need for teachers, practitioners and artists to jointly work together to create a community of practitioners where pedagogy meets…
Descriptors: Music Education, Music, Cultural Pluralism, Foreign Countries
Mukherjee, Falguni – Journal of Geography in Higher Education, 2019
This article explores the use of Story Maps in a cultural geography field course that uses a place-based approach to understand the Delta Blue's culture. In this study, Story Maps was used to capture and map student experiences as they engaged in a field study. Student experiences are captured by incorporating different data mediums such as…
Descriptors: Human Geography, Field Instruction, Place Based Education, Maps
Adjapong, Edmund S. – ProQuest LLC, 2017
This dissertation explores the context of urban science education as it relates to the achievement and engagement of urban youth. This study provides a framework for Hip-Hop Pedagogy, an approach to teaching and learning anchored in the creative elements of Hip-Hop culture, in STEM as an innovative approach to teaching and learning demonstrates…
Descriptors: Teaching Methods, African American Culture, Music, Popular Culture
Petchauer, Emery – Urban Education, 2015
One fundamental breakthrough in the field of hip-hop education in recent years is the shift from understanding hip-hop solely as content to understanding hip-hop also as aesthetic form. In this article, I chart the roots of this shift across disciplines and focus on what it might mean for the future of hip-hop education, pedagogy, and research in…
Descriptors: Popular Culture, Urban Education, Teaching Methods, Aesthetics
Vakeva, Lauri – British Journal of Music Education, 2010
In this paper, I suggest that it is perhaps time to consider the pedagogy of popular music in more extensive terms than conventional rock band practices have to offer. One direction in which this might lead is the expansion of the informal pedagogy based on a "garage band" model to encompass various modes of digital artistry wherever this artistry…
Descriptors: Music Education, Informal Education, Music, Computer Software
Lee, Hung Kun – International Education Studies, 2010
The present study aims at further examining an interesting finding of a recent empirical research on Hong Kong adults' participation in African drumming from a sociological perspective by adopting some Bourdieuan concepts. Results of the semi-structured interviews with 82 informants with diverse musical backgrounds and occupations concur that…
Descriptors: Musical Instruments, African Culture, Foreign Countries, Adults
Mawhinney, Lynnette; Petchauer, Emery Marc – International Journal of Qualitative Studies in Education (QSE), 2013
This study explores biracial identity development in the adolescent years through fusion autoethnography. Using an ecological model of biracial identity development, this study illustrates how family, peers, and school curricula validate and reject racial self-presentations. We pay specific attention to the different forms of silence (i.e.…
Descriptors: Ethnography, Multiracial Persons, Racial Identification, Self Concept
Mokwunyei, Josephine Ngozi – International Journal of Music Education, 2008
Although it is generally accepted that music is universal, we can imagine that every culture has a way of describing or talking about its music. The purpose of this article is to examine some aspects peculiar to the musical traditions of the Anioma people of Southern Nigeria from indigenous perceptions of their cultural modalities. The focus is on…
Descriptors: Music, Musical Instruments, Foreign Countries, Indigenous Knowledge
Hess, Juliet – Music Education Research, 2009
The Sankofa Drum and Dance Ensemble is a Ghanaian drum and dance ensemble that focusses on music in the Ewe tradition. It is based in an elementary school in the Greater Toronto Area and consists of students in Grade 4 through Grade 8. Students in the ensemble study Ghanaian traditional Ewe drumming and dancing in the oral tradition. Nine students…
Descriptors: Music Education, Music, Dance, Oral Tradition
The Formation of "Hip-Hop Academicus"--How American Scholars Talk about the Academisation of Hip-Hop
Soderman, Johan – British Journal of Music Education, 2013
Social activism and education have been associated with hip-hop since it emerged in New York City 38 years ago. Therefore, it might not be surprising that universities have become interested in hip-hop. This article aims to highlight this "hip-hop academisation" and analyse the discursive mechanisms that manifest in these academisation…
Descriptors: Popular Culture, Music, Cultural Context, Music Education