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Showing 1 to 15 of 16 results Save | Export
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Arugha A. Ogisi – Journal of Historical Research in Music Education, 2024
Nigeria's triple music heritage of traditional, Islamic and Western music should have informed her formal music education curriculum. Instead, western music was used by the early Christian missionaries that it became difficult to integrate indigenous music traditions into the curriculum that music could not gain traction as a school subject across…
Descriptors: Music Education, Educational History, Barriers, Foreign Countries
Allyn M. Phelps – ProQuest LLC, 2024
Throughout my career as an elementary music educator, I constantly sought ways to decenter myself as the instructor and make space for student agency and independence to flourish. However, my efforts over 10 years were rooted in Western Eurocentric thought. Where I thought I was creating a more egalitarian environment, my Whiteness shielded me…
Descriptors: Music Education, Independent Study, Play, Whites
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Mellizo, Jennifer M. – General Music Today, 2019
Over the past several decades, music education scholars have put forth a variety of convincing rationales for world music education. Yet the gap between theory and practice in this area persists. In theoretical ways, practicing music educators acknowledge the value of world music learning experiences, but many remain reluctant to fully embrace and…
Descriptors: Music, Music Education, Teaching Methods, Foreign Countries
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Sirek, Danielle – Action, Criticism, and Theory for Music Education, 2016
The role of music in Grenada, West Indies has traditionally been to pass on knowledges, values, and ideals; and to provide a means of connecting to one another through expressing commonality of experience, ancestry, and nationhood. This paper explores how Eric Matthew Gairy, during his era of political leadership in Grenada (1951-1979), exploited…
Descriptors: Foreign Countries, Music, Music Education, Case Studies
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Joseph, Dawn; Hartwig, Kay – Journal of University Teaching and Learning Practice, 2015
Australia is a culturally diverse nation. The Arts provide a pathway that contributes to the rich tapestry of its people. Tertiary music educators have the responsibility to provide opportunities to effectively prepare and engage pre-service teachers in becoming culturally responsive. The authors discuss the importance and need to include guest…
Descriptors: Foreign Countries, Music Education, Teacher Education, Music
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Howard, Karen – General Music Today, 2014
The concept of ngoma is present throughout Eastern and Southern Africa. Ngoma refers to the tradition of expression via music, drumming, dance, and storytelling. History, values, education, and even identity can be transmitted between generations. This article traces the experiences of a music teacher from the United States traveling and studying…
Descriptors: Foreign Countries, Music, Traditionalism, Musical Instruments
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Choi, Eunjung; Keith, Laura J. – Music Educators Journal, 2016
Contemporary African-American classical composers Cedric Adderley, John Lane, and Trevor Weston intertwine strands of culture and individual experience to produce musical works whose distinct designs offer cultural resources that music educators can use to integrate diversity into instructional settings. Of special interest is their ability to…
Descriptors: Cultural Pluralism, Music, Music Education, Music Teachers
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Joseph, Dawn – Journal of University Teaching and Learning Practice, 2012
This article reports on the power (influence) of music to develop intercultural understandings to better internationalise the curriculum. It argues that through internationalisation, we learn more about other people's cultures hence, by providing an international/intercultural dimension into the teaching unit of "Discovering Music A",…
Descriptors: Feedback (Response), Music, Cultural Awareness, Cultural Pluralism
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Akuno, Emily Achieng' – International Journal of Music Education, 2012
This article builds on enquiry aimed to discover Kenyan music teachers' perceptions and expectations of their role; their view of the training they received; head teachers' perceptions and expectations of the role of the music teacher; and the expectations of both music teachers and head teachers of a music teacher education programme in Kenya.…
Descriptors: Teacher Education, Class Activities, Music, Professional Training
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Joseph, Dawn – Australian Journal of Music Education, 2011
Australian society is increasingly multicultural, and this article provides some theoretical perspectives on multiculturalism, cultural diversity and the teaching and learning of African music. It identifies the need for teachers, practitioners and artists to jointly work together to create a community of practitioners where pedagogy meets…
Descriptors: Music Education, Music, Cultural Pluralism, Foreign Countries
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Joseph, Dawn; Human, Rene – Intercultural Education, 2009
This paper explores the notion of African music as a way forward to negotiate a "space" in contemporary society. The word "space" is used as a metaphor to explore and experiment with the dynamics of culture and hybridity. The authors view themselves as "agents of change" and knowledgeable professionals in the teaching…
Descriptors: Music, African Culture, Figurative Language, Foreign Countries
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Vakeva, Lauri – Yearbook of the National Society for the Study of Education, 2012
There is no doubt that mediation has become a central issue outside formal music education. An outstanding example of this is digital music and its dependence on the new technologies of production, dissemination, and consuming. In this paper, the author argues that (1) mediation is one of the most important aspects of digital artistry and that (2)…
Descriptors: Music Education, Music, Music Teachers, Multimedia Materials
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Akrofi, Eric A. – Prospects: Quarterly Review of Comparative Education, 2006
This article profiles Joseph Hanson Kwabena Nketia, an outstanding musicologist, music educator, composer, and linguist. His countrymen, Ghanaians, know him best as a composer, and associate his name with his song "Yaanom Montie" and his choral compositions for unaccompanied SATB choirs--"Monkamfo No", "Nkyirimma Nye Bi" and "Monna N'ase". In…
Descriptors: Educational Background, Scholarship, Musical Composition, Music
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Euba, Akin – Social Education, 1971
Discusses categories of music, interaction of musical styles, status of musicians, and the roles of African music scholars and teachers. (Reprinted from African Report.) (DB)
Descriptors: African Culture, Music, Music Appreciation, Music Education
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Turner, Patrice E. – Music Educators Journal, 2008
The word gospel means "good news," and gospel music is the good news of the message of Jesus of Nazareth in song. African American gospel is a style that is growing in popularity. The number of twenty-four-hour gospel radio stations in the United States is increasing, and sales of gospel music recordings are on the rise. Gospel music…
Descriptors: Music, Singing, African American Culture, Christianity
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