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Varkøy, Øivind – Philosophy of Music Education Review, 2017
The times we live in are described as pluralistic and diverse. In the Nordic countries, societies are often described--even officially--as multicultural. People with different cultural and ethnic backgrounds are expected to coexist and respect each other. Different values are set free from hierarchical conceptual models. Many stories about the…
Descriptors: Cultural Pluralism, Music, Music Education, Musical Instruments
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Sciaroni, Rose – Philosophy of Music Education Review, 2019
In the pedagogy of Western classical string music, creativity is often viewed according to the works of luminary composers, suggesting the question: how might string teachers, students, and musicians conceive of creativity? After problematizing standard definitions and ontological ideas of musical creativity, I outline an open model using the…
Descriptors: Teaching Methods, Music, Music Education, Creativity
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Tan, Leonard; Lu, Mengchen – Philosophy of Music Education Review, 2018
In classical Greek philosophy, the pursuit of Truth was done primarily through logical argumentation using language as "Truth tool." The major thinkers in classical China, on the other hand, were famously suspicious of language, with Confucius declaring, "I wish to be wordless." They turned instead to music to express the…
Descriptors: Ethics, Persuasive Discourse, Confucianism, Music
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Pio, Frederik; Varkoy, Oivind – Philosophy of Music Education Review, 2012
In the current world of education, politics and public opinion, musical experience is increasingly threatened. It is designated ever more as an expendable luxury. This kind of general trend has hardly left the thinking in the field of music and music education untouched. Inspiration comes from the technical rationality of our time. This…
Descriptors: Music Education, Music, Public Opinion, Reflection
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Mantie, Roger – Philosophy of Music Education Review, 2012
This article serves to extend a critique initiated by Allsup and Benedict in their 2008 PMER article, "The Problems of Band." Using the work of Michael Foucault as a theoretical and methodological basis, I consider ways in which today's large ensemble paradigm, particularly that of the wind band, has resulted in an ongoing antinomy in…
Descriptors: Music Education, Music, Musicians, Foreign Countries
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Allsup, Randall Everett; Benedict, Cathy – Philosophy of Music Education Review, 2008
This article examines the educational function of the North American wind band program. Issues such as band education's methodological control, perceived lack of self-reflection or inquiry, its insecurity concerning program legitimacy, and the systemic fear that seems to permeate its history provide the framework for this exploration. With a…
Descriptors: Music Education, Music, Educational Philosophy, Musical Instruments
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Alerby, Eva; Ferm, Cecilia – Philosophy of Music Education Review, 2005
In the present age, which is often signified as post-modern or knowledge-intensive, the calls for learning echo loud. Discussions of learning, as well as teaching, permeate almost all levels and arenas of our society, and have a sure place in every-day conversation as well as scientific debate. The concept of learning can be understood and…
Descriptors: Music, Learning Experience, Phenomenology, Musical Instruments