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Schupp, Karen – Arts Education Policy Review, 2017
This article examines students' choices in a postsecondary dance major curriculum where students selected to study one or more of five dance practices (African and Diaspora Movement Practices, Contemporary Ballet, Movement Language Sources, Postmodern Contemporary Dance, and Urban Movement Practices) each semester along with required coursework…
Descriptors: Dance, Dance Education, Movement Education, Creativity
Lum, Chee-Hoo – Research in Dance Education, 2018
This qualitative case study examined the definitions, structure and pedagogical approaches that constituted a creative movement program as part of an artist-in-school-scheme for pre-schools. Data was collated through audio-recorded interviews with teachers, the school principal and dance instructor. Creative movement classes were video recorded…
Descriptors: Case Studies, Movement Education, Video Technology, Creativity
Aceto, Melanie – Journal of Dance Education, 2012
For intermediate and advanced university students, technique class has traditionally been the place to study a particular teacher's style and to hone technical skills. This article suggests a pedagogy that broadens standard practice by focusing additionally on both performance principles and spontaneous problem solving in the technique classroom.…
Descriptors: Dance, Movement Education, College Students, Higher Education
Callahan-Russell, Colleen – Journal of Dance Education, 2004
This article evaluates strengths and limitations of some studio training. It focuses on values that private studio students bring to the public school setting. One teacher uses this as an opportunity to reflect on and claim her own values and desire to develop students as artists.
Descriptors: Public Schools, Dance, Dance Education, Teachers