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| Italian Literature | 14 |
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| Lawrence, Kenneth | 1 |
| Layman, B. J. | 1 |
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Peer reviewedCousins, Ewert – University of Toronto Quarterly, 1971
Bonaventure's symbols of the circle, centre, cross, and journey are analyzed from the perspective of the mandala, as it has been explored in the research of C.G. Jung, Mircea Eliade, and Guiseppe Tucci." Three photographs are included. (Author/SP)
Descriptors: Christianity, Imagery, Italian Literature, Medieval Literature
Peer reviewedLayman, B. J. – Italica, 1969
Descriptors: Characterization, Impressionistic Criticism, Italian Literature, Motifs
Peer reviewedNorton, Glyn P. – Italica, 1970
Descriptors: Allegory, Analytical Criticism, Epics, Italian Literature
Peer reviewedDemaray, John G. – Italica, 1969
Descriptors: Allegory, Analytical Criticism, Christianity, Imagery
Peer reviewedAlfonsi, Ferdinando P. – Italica, 1972
Descriptors: Analytical Criticism, Italian Literature, Motifs, Novels
Peer reviewedTrovato, Mario – Italica, 1971
Descriptors: Formal Criticism, Italian Literature, Motifs, Mythic Criticism
Peer reviewedSingh, G. – Italica, 1970
Descriptors: Imagery, Italian Literature, Lyric Poetry, Metaphors
Peer reviewedPace, Antonio – Italica, 1971
Descriptors: Analytical Criticism, French Literature, Italian Literature, Literary Styles
Peer reviewedO'Neill, Tom – Italica, 1970
Descriptors: Characterization, Impressionistic Criticism, Italian Literature, Moral Criticism
Peer reviewedMontiel, Isidoro – Italica, 1969
Descriptors: Imagery, Italian Literature, Literary Influences, Lyric Poetry
Wilkin, Andrew – Modern Languages, 1971
Descriptors: Characterization, Formal Criticism, Italian Literature, Moral Values
Peer reviewedPullini, Georgio – Italica, 1971
Descriptors: Characterization, Comedy, Dialogs (Literary), Drama
Peer reviewedLawrence, Kenneth – Italica, 1970
Descriptors: Characterization, Drama, Formal Criticism, Italian Literature
Download full textGarcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)
