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| Motifs | 87 |
| Spanish Literature | 87 |
| Poetry | 45 |
| Twentieth Century Literature | 36 |
| Literary Styles | 31 |
| Characterization | 27 |
| Analytical Criticism | 23 |
| Lyric Poetry | 23 |
| Imagery | 22 |
| Nineteenth Century Literature | 21 |
| Novels | 21 |
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Peer reviewedDiaz, Jose A. – Hispania, 1970
Descriptors: Analytical Criticism, Drama, Motifs, Mythic Criticism
Peer reviewedKlein, L. B. – Cuadernos Americanos, 1972
Descriptors: American Culture, Essays, Latin American Culture, Literary Styles
Peer reviewedZimic, Stanislav – Hispania, 1972
Descriptors: Literary Devices, Literary Perspective, Literary Styles, Motifs
Peer reviewedDe Armas, Jose R. – Hispania, 1970
Interprets Salinas' use of geometric figures for depicting concepts of time and infinity, and for portraying idealism and realism (the vertical line is idealism, perfection; the circle stands for reality and imperfection). (DS)
Descriptors: Geometry, Impressionistic Criticism, Lyric Poetry, Motifs
Peer reviewedAlbornoz, Aurora de – Revista de Occidente, 1970
Descriptors: Analytical Criticism, Imagery, Impressionistic Criticism, Literary Styles
Peer reviewedFont, Maria Teresa – Revista Iberoamericana, 1970
Descriptors: Analytical Criticism, Hispanic American Literature, Imagery, Lyric Poetry
Iglesias Laguna, Antonio – Spain Today, 1970
Surveys innovative styles, original perspectives, and individual characteristics of Spanish novelists Ferlosio, Fernandez Santos, Matute, Albala, Goytisolo, Martin Santos, Pinilla, Solis, Castresana, Bunuel, Rojas and Aldecoa. (DS)
Descriptors: Analytical Criticism, Characterization, Fiction, Literary Influences
Peer reviewedDietz, Donald T. – Modern Language Journal, 1972
Issue devoted to the teaching of foreign literatures. (DS)
Descriptors: Analytical Criticism, Language Instruction, Literary Criticism, Literature Appreciation
Download full textBratosevich, Nicolas – Revista de Filologia Espanola, 1967
An analysis of a poem by San Juan de la Cruz (St. John of the Cross), the sixteenth century Spanish mystic, identifies symbols and images, explains themes, and offers a synthesis of his structural patterns. The poem, "Tras de amoroso lance", deals with the theme of the search of the beloved (i.e., the soul) for the lover, and…
Descriptors: Allegory, Ambiguity, Analytical Criticism, Biblical Literature
Porqueras Mayo, A.; Sanchez Escribano, F. – Revista de Filologia Espanola, 1967
A concept of the masses, or populace, conveyed a positive connotation in both Biblical and Renaissance literature. During Spain's Golden Age (seventeenth century) writers, especially didactic dramatists, tended to register negative and prejudiced attitudes toward the common folk and to regard them as "masa inculta" or uncultured masses. Primarily,…
Descriptors: Analytical Criticism, Aristotelian Criticism, Audiences, Didacticism
Alonso, Damaso – Revista de Filologia Espanola, 1967
Across the centuries the heroes in dramatic works develop and play out action along the same lines, although the dramas may have been created by different authors and may reflect various eras and cultures. A case in point is a comparison of the two Spanish plays "El Caballero de Illescas" by Lope de Vega (1602) and "Los Intereses…
Descriptors: Baroque Literature, Characterization, Comedy, Dialogs (Literary)
Garcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)
