Descriptor
| Italian Literature | 6 |
| Motifs | 6 |
| Poetry | 6 |
| Analytical Criticism | 3 |
| Imagery | 3 |
| Mythic Criticism | 3 |
| Allegory | 2 |
| Christianity | 2 |
| Literary Influences | 2 |
| Lyric Poetry | 2 |
| Medieval Literature | 2 |
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Author
| Demaray, John G. | 1 |
| Garcia Berrio, Antonio | 1 |
| Montiel, Isidoro | 1 |
| Norton, Glyn P. | 1 |
| Singh, G. | 1 |
| Trovato, Mario | 1 |
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Peer reviewedNorton, Glyn P. – Italica, 1970
Descriptors: Allegory, Analytical Criticism, Epics, Italian Literature
Peer reviewedDemaray, John G. – Italica, 1969
Descriptors: Allegory, Analytical Criticism, Christianity, Imagery
Peer reviewedTrovato, Mario – Italica, 1971
Descriptors: Formal Criticism, Italian Literature, Motifs, Mythic Criticism
Peer reviewedSingh, G. – Italica, 1970
Descriptors: Imagery, Italian Literature, Lyric Poetry, Metaphors
Peer reviewedMontiel, Isidoro – Italica, 1969
Descriptors: Imagery, Italian Literature, Literary Influences, Lyric Poetry
Download full textGarcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)
