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Sabin, Elenora R. – Hispania, 1973
Descriptors: Analytical Criticism, Characterization, Drama, Motifs
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Anderson, Farris – Hispania, 1972
Descriptors: Drama, Literary Styles, Motifs, Playwriting
Spain Today, 1971
Descriptors: Christianity, Drama, Existentialism, Moral Criticism
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Porqueras Mayo, A.; Sanchez Escribano, F. – Revista de Filologia Espanola, 1967
A concept of the masses, or populace, conveyed a positive connotation in both Biblical and Renaissance literature. During Spain's Golden Age (seventeenth century) writers, especially didactic dramatists, tended to register negative and prejudiced attitudes toward the common folk and to regard them as "masa inculta" or uncultured masses. Primarily,…
Descriptors: Analytical Criticism, Aristotelian Criticism, Audiences, Didacticism
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Alonso, Damaso – Revista de Filologia Espanola, 1967
Across the centuries the heroes in dramatic works develop and play out action along the same lines, although the dramas may have been created by different authors and may reflect various eras and cultures. A case in point is a comparison of the two Spanish plays "El Caballero de Illescas" by Lope de Vega (1602) and "Los Intereses…
Descriptors: Baroque Literature, Characterization, Comedy, Dialogs (Literary)
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Garcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)