Descriptor
| Christianity | 3 |
| Italian Literature | 3 |
| Motifs | 3 |
| Analytical Criticism | 2 |
| Imagery | 2 |
| Medieval Literature | 2 |
| Poetry | 2 |
| Allegory | 1 |
| Characterization | 1 |
| Dialogs (Literary) | 1 |
| Drama | 1 |
| More ▼ | |
Publication Type
Education Level
Audience
Location
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Peer reviewedCousins, Ewert – University of Toronto Quarterly, 1971
Bonaventure's symbols of the circle, centre, cross, and journey are analyzed from the perspective of the mandala, as it has been explored in the research of C.G. Jung, Mircea Eliade, and Guiseppe Tucci." Three photographs are included. (Author/SP)
Descriptors: Christianity, Imagery, Italian Literature, Medieval Literature
Peer reviewedDemaray, John G. – Italica, 1969
Descriptors: Allegory, Analytical Criticism, Christianity, Imagery
Download full textGarcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)
