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McFerguson, Marquese; Durham, Aisha – Community Literacy Journal, 2021
Nipsey Hussle is a post hip hop icon. In this essay, we mine popular music and media coverage of Nipsey to describe his artistry and advocacy anchored by his articulation of an African American diasporic identity, his ambivalence as an independent rapper within a mainstream music industry, and his leverage of Black capital in his Crenshaw…
Descriptors: Music, Musicians, African Americans, African American Influences
Torrence, Michael L. – ProQuest LLC, 2009
The purpose of this ethnographic study was to examine Hip Hop in Poland through the lens of multiliteracies and situated learning. This analysis is concerned with the transmission of Hip Hop to and within Wroclaw, Poland, and its acculturation and assimilation in Wroclaw, Poland. Further, this study seeks to illustrate how professional Polish Hip…
Descriptors: Video Technology, Acculturation, Ethnography, Artists
Cuthbert, Marlene – 1987
Despite the international success of reggae music, a survey of Jamaican recording artists revealed disillusionment, anger and frustration with the national recording industry. Various artists identified a lack of professional ethics and discipline, and above all, lack of an updated copyright law as being at the root of the problem. Since Jamaica…
Descriptors: Audiodisks, Copyrights, Ethics, Foreign Countries
Smith, Donna Ridley, Comp. – 1979
The bibliography lists over 400 works in the California State University Library, Sacramento, on pop, rock, country, folk, blues, and soul music from 1950 to the present. Books, periodicals, and non-book materials noted in the bibliography are appropriate for history, communication studies, and popular culture studies as well as for music. Items…
Descriptors: Art Products, Bibliographies, Discographies, History