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Rehman, Sharaf N.; Hanks, William E. – Journalism Educator, 1985
Presents a structure for a film and video production course, with emphasis on three types of literacy: visual, verbal, and technical. (HTH)
Descriptors: Course Content, Curriculum Development, Film Production, Higher Education
McKowen, Clark; Sparke, William – 1972
A montage of thought and comment on motion pictures is presented, from short articles to cartoons, quotes, poems, drawings and pictures. Included are descriptions of how movies are possible, techniques of filming and editing, criticisms, history, the effects of films on the people who watch them, and personalities of the people involved in films.…
Descriptors: Creativity, Film Production, Film Study, Films

Burn, Andrew; Reed, Kate – English in Education, 1999
Describes a course set up for Year 11 students using digital editing equipment to examine the audiovisual fabric of films of their choice. Investigates how the advent of digital technologies enables new kinds of reading of visual texts as well as new kinds of textual production. (NH)
Descriptors: Film Production, Film Study, High Schools, Mass Media
Johnson, Ron; Bone, Jan – 1976
Designed to encourage moviegoers to become film viewers, this book divides the various aspects of film into the following chapters: "The Most Popular Art Form,""The World of Film,""Viewing the Film: The First Level of Understanding,""The Language of Film,""From Script to Film: A case Study,""Evaluating Film: 'Does It Work?""Evaluating Film:…
Descriptors: Aesthetic Education, Documentaries, Film Production, Film Production Specialists
Roud, Richard – 1972
This book covers the life and aesthetic qualities of the work of the European film-maker Jean-Marie Straub (1933- ). It contains introductory chapters on the biography and artistic milieu of Straub and continues with a chapter-by-chapter critical treatment of each of his films: "Machorka-Muff"; "Not Reconciled"; "Chronicle…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production
Bolton, Gerre M. – 1971
This one-semester English elective course offered in grades 11 and 12 allows students to examine both classical and modern short films to determine the most effective elements of communication in the medium. The course is divided into two quarters and is further divided into topical sections, i.e., Teaching Poetry through Film, The Film as Visual…
Descriptors: Audiovisual Aids, Course Descriptions, Documentaries, English Instruction
Sarris, Andrew – 1973
This book is a collection of essays by the author on film criticism. An auteurist and historical approach is taken to the primarily American films discussed. The essays are organized by basic theme: "Critical Credos and Causes,""Personal Styles,""Genres,""Politics,""Odes and Obits," and "Arts and Letters." Each essay centers either on an important…
Descriptors: Acting, Auteurism, Creative Expression, Film Criticism
Rice, Susan, Ed.; Mukerji, Rose, Ed. – 1973
Because of the importance of television in the lives of our children--they spend more time with it than in school--it makes sense that they should learn to process the vast input from television and become knowing and active about the media. This collection of essays presents ideas by contributors outside of the "painfully vague conclusions of the…
Descriptors: Animation, Children, Creativity, Essays
Kernan, Margot – 1973
The medium of film is uniquely suited to the representation of social problems such as racism. By stressing major issues of racism--slavery, the black cultural heritage, black power, and the black civil rights movement--and coupling these issues with films which give a realistic view of the substance and problems of racism, both concepts…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production
Fielding, Raymond – 1972
This book is a chronological history of the "newsreel" from its beginnings in 1889 to the collapse of the last newsreel production company in 1967. The newsreel is traced from its birth in the United States and France, through its flowering in the "March of Time" and other series, to its demise due to competition with televised…
Descriptors: Audiovisual Communications, Bulletins, Film Production, Film Production Specialists
Barsam, Richard Meran – 1973
In this survey history of the documentary or nonfiction cinema, major emphasis is placed upon John Grierson and the British documentary movement as exemplary of the factual films with goals of social improvement and on Robert Flaherty, whose movement stressed poetic or humanistic nonfiction film treatment. Newsreels and current trends in…
Descriptors: Audiovisual Communications, Communication (Thought Transfer), Documentaries, Film Production
Fraigneau, Andre, Ed. – 1972
This book is the text of an interview with the French film-maker, Jean Cocteau. It is the corrected edition, with a new introduction by George Amberg, of the English translation of the early 1950 conversation in French. Cocteau discusses the aesthetics, creative aspects, and production processes of his own films and films in general. His approach…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Creative Activities
Kerns, H. Dan – 1993
The state of the motion picture industry is reviewed, focusing on needed change in the practice of product placement. The study of the placements of advertising in films should be of interest to the student of visual literacy. Product placers are using films to advertise their products to entertainment seekers. The viewer, often a child, may not…
Descriptors: Advertising, Auteurism, Consumer Education, Consumer Protection

Curtis, Ron – 1975
The need to teach media competency in the schools in a systematic way has been largely unrecognized. The Media Now course of study provides an example of the type of instruction needed to teach the knowledge and skills necessary for informed media consumption and skilled media production. The course, which has been thoroughly tested and validated…
Descriptors: Change Strategies, Communications, Educational Change, Educational Innovation
Kernan, Margot – 1973
This study guide for high school and college students examines selected, revolutionary political films made by Godard, Rocha, Solanas, Sanjines, and others, notably Czech and Cuban film-makers. This guide stresses an aesthetic, auteuristic approach and touches upon film production procedures. The films recommended for study range in technique from…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Colleges
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