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Derek R. Ford; Daniela Chaparro – Critical Education, 2024
Materialist approaches to aesthetics historicize our sensuous capacities, orientations, and objects by attending to their ongoing production. This article begins by articulating capital not as an "economic" system but as a broader perceptual ecology that produces particular correspondences between subjects and the world. In response to…
Descriptors: Aesthetics, Social Class, Social Systems, Economics
Feng Gan; Qiong Bai – Educational Philosophy and Theory, 2023
This article sheds new light on Karl Marx's theoretical legacy to promote educational philosophy and theory in science, technology, engineering, arts, and mathematics (STEAM) education. Accordingly, this article selects Marxian thought as an exemplar case to elaborate critical pedagogy and aesthetics and culminate with an overview of the Marxian…
Descriptors: Marxian Analysis, Educational Philosophy, Educational Theories, STEM Education
Yigit, Murat – Journal of Education and Learning, 2016
This study will try to read the stories of Sabahattin Ali, who has written various books in Turkish, within the context of Marxist literary aesthetics, assess the types and characters in the stories of Sabahattin Ali within that framework, and observe the social levels and the gaps between them based on the relationships between the two extreme…
Descriptors: Foreign Countries, Authors, Fiction, Marxian Analysis
Man, Eva Kit Wah – Journal of Aesthetic Education, 2001
It is said that aestheticians today, including art critics and philosophers, are yearning for some kind of salvation for contemporary art. This salvation would come in the form of a return to aesthetic experience that would act as a foundation enabling resistance to pure discursive reflection and intertextuality. These debates concerning…
Descriptors: Foreign Countries, Aesthetics, Philosophy, Criticism

Guimaraes Lima, Marcelo – Anthropology & Education Quarterly, 1995
Discusses Vygotsky's ideas in art psychology on the role of emotion in art, the nature of the aesthetic experience, the semiotic nature of psychological processes, and the foundation of a Marxist psychology and a Marxist aesthetics. Central to all of his ideas was his critique of Russian formalism. (MMU)
Descriptors: Aesthetics, Art Expression, Creativity, Emotional Development