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Audiences | 8 |
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Literary Criticism | 6 |
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College English | 3 |
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Winterowd, W. Ross – College Composition and Communication, 1972
Considers the quest for meaning to be the primary function of the rhetorical critic--meaning that goes from the text outward and that is interpreted by the reader. (RB)
Descriptors: Audiences, College Instruction, English Instruction, Fiction

Thomson, George H. – College English, 1975
The focus story forms are differentiated by their characteristic uses of time and space and by the psychological processes they engage.
Descriptors: Analytical Criticism, Audiences, Comics (Publications), Drama
Doyle, Esther M., Ed.; Floyd, Virginia Hastings, Ed. – 1977
The purpose of this second book of 21 self-contained essays is the same as that of the first volume published in 1972: to bring together the scholarly theory and current research regarding oral interpretation. One third of the essays are centered on literature itself: prose fiction, poetry, and the drama. These essays discuss topics such as point…
Descriptors: Analytical Criticism, Audiences, Drama, Fiction

Crawford, Fred D. – Journal of General Education, 1982
Quotes and discusses Bernard Shaw's statements on the purpose of literary art, the author's role and character, the nature of audiences, and the artistic requirements of fiction and dramatic works. Finds Shaw's theory of literary art consistent and unaltered throughout more than half a century. (DMM)
Descriptors: Aesthetic Values, Audiences, Authors, Drama

Shusterman, Alan J. – College English, 1980
Explores the trend in modern literature and criticism away from the central issues and forces of human life and the corresponding alienation and specialization of college English departments and the profession itself. Calls for a more public orientation in the teaching and criticism of literature. (HTH)
Descriptors: Attitudes, Audiences, College English, English Instruction
Kelly, Michael, Ed.; Oschmann, Wendy, Ed. – Issues in Interpretation, 1977
This journal issue deals with the ways in which elements of a literary text specify the manner in which an oral interpreter will present the text to an audience. After an introductory statement, four poems by a contemporary poet are presented as sample texts. Four commentators discuss the ways these poems might be interpreted to an audience, and…
Descriptors: Audiences, Interpretive Reading, Literary Criticism, Literature
Cameron, Eleanor – 1969
This collection of 12 critical essays--written for teachers, librarians, students, and parents--comments on the style, characterization, sense of wonder, and sense of reality in children's books. Specific subjects covered are (1) the fantasy worlds of Andersen, Beatrix Potter, Walter de la Mare, C. S. Lewis, Lewis Carroll, and J. R. R. Tolkien;…
Descriptors: Audiences, Authors, Books, Characterization

Weitzel, Roy L. – College English, 1975
Creative writing assignments are described which prepare students better to apprehend and appreciate Shakespeare's art.
Descriptors: Audiences, Communication (Thought Transfer), Creativity, Drama