In this lesson, grade 6-8 students analyze a variety of poets and their poetry by reading and listening to their work. Students then use information gathered from Internet resources to select a favorite poet and perform one of their poems for the class. During the four 30-minute and five 20-minute sessions, students will: analyze a variety of…

Discusses metafiction (contemporary fiction) and the new relationship between subject and reader that challenges traditional practice of point of view in fiction. Suggests ways for the interpreter to deal with the performance of metafiction. (JMF)

An artistic verbal performance is something more than words, yet most critical commentary on this genre focuses on the word, on the linguistic level. A methodology for making performance-centered texts is described based on the performance of "Stagolee," a story that originated from Julius Lester's book, "Black Folktales." A…

Frame analysis is an approach to social situations that can be applied profitably to literature and performance. A frame is the reality status of a situation; keys are the characteristics that define a frame. Most literary works are keying on real life frameworks. Literary works that are based on other literary works, such as parodies, are…

In this periodical, six respondents from various colleges and universities provide brief commentaries on the subject of genre study in the field of oral interpretation. According to the pamphlet's editor, all of these critics affirm the importance of literary study and genre study to performance, intimate some dissatisfaction with the terminology…

The ability to think of poetry rhetorically is a valuable instrument for interpreting poetry. The poet is the speaker "of" the poem, the persona the speaker "in" the poem. The communicative circle is complete when it includes the reader who combines an analysis of the text (the words of the persona) with an analysis of the…

This bibliography includes the more important books and articles on the oral interpretation of literature published (unless otherwise indicated) in the calendar year of 1972. Publications from ancillary fields of study, such as drama, literary criticism, aesthetics, linguistics, psychology, and education, are included if there are significant…

Argues that by acting out, rather than only reading Shakespeare's plays, they can be better interpreted and appreciated. (SRT)

The author declares, The play is the thing. As a tool for teaching, it's incomparable. It can painlessly teach reading, reciting, reasoning and writing." She describes techniques for class study. (Author/JB)

Describes an experiment confirming the prediction that readers exposed to an explanation of the dramatistic approach to oral interpretation form more detailed and complex initial impressions of the literature than do persons not exposed. Whether this exposure produces better oral performances, however, is a question that should be further…

The (CBS Radio) Columbia Workshop, formed in 1936, encouraged the writing and production of creative, non-traditional radio drama such as Archibald MacLeish's verse play "The Fall of the City," which aired on April 11, 1937. MacLeish considered radio the ideal medium for poetry because it offers only aural stimuli without competition…

As part of the theatre studies program offered by Montgomery County (Maryland) senior high schools, this instructional guide for advanced acting is designed to train students in the rigorous skills of preparing and presenting a character in performance. After listing 11 educational objectives, including being able to identify character elements…

WRITTEN FOR BOTH THE "GENERAL" STUDENT INTERESTED IN CRITICAL APPROACHES TO LITERATURE AND THE ORAL INTERPRETATION STUDENT WHO NEEDS A VARIETY OF CRITICAL ANALYSES TO COMBINE WITH ORAL PERFORMANCE IN HIS STUDY OF LITERATURE, THIS BOOK PROVIDES FIVE EXAMPLES OF DIFFERENT CRITICAL APPROACHES TO LITERATURE AND ITS ORAL INTERPRETATION. PART 1, "THE…

States that an oral interpretation course can deepen students' understanding of literature, extend their familiarity with important works, and help them appreciate the intricacies of rhythm and tone in poetry. Outlines student assignments for an oral interpretation course in the English program. (MM)