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Bula, Andrew – Journal of Practical Studies in Education, 2021
Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of…
Descriptors: College Faculty, Foreign Countries, Literary Criticism, Teaching Methods
Lev-Aladgem, Shulamith – Research in Drama Education, 2015
This article discusses the book "The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation" by the French philosopher, Jacques Rancière. Its intention is to study the potential contribution of this text to the discourse of applied theatre (theatre in co-communities) in general, and the role of the facilitator in particular. It…
Descriptors: Theater Arts, Facilitators (Individuals), Role, Drama
Akhter, Javed; Muhammad, Khair; Naz, Naila – Advances in Language and Literary Studies, 2015
Jacques Derrida (1930-2004) is the most prominent figure in contemporary philosophical and literary debate. He originates a trend-breaking theory of deconstruction. He opines the persistence in west European philosophical tradition of what he labels is logocentric metaphysics of presence. He argues that the different theories of philosophy, from…
Descriptors: Classical Literature, Literature Appreciation, Philosophy, Literary Criticism
Alashqar, Hossam Mahmoud – Advances in Language and Literary Studies, 2015
This paper seeks to investigate the sources of power in the discourse of an Arab-American writer, Etel Adnan's one act play, "Like a Christmas Tree." The play represents a heated argument between two figures who stand for two different ideologies and who fall within the frame of "binary opposition," transcultural…
Descriptors: Discourse Analysis, Power Structure, Theater Arts, Literary Criticism
James, David L. – Community College Enterprise, 2018
A recent article in "The Weekly Standard," "Kenyon College Cancels Play About Immigration; Starts 'Whiteness Group,'" describes a current call for censorship. Wendy MacLeod's play, "The Good Samaritan," is about an immigrant family in the U.S. surviving "without pay and living in dire conditions," according…
Descriptors: Censorship, Literature, Theater Arts, Drama
Coombs, Dawan; Young, Terrell A. – English in Texas, 2014
Learning with informational texts doesn't need to be restricted to the recall of information and facts; instead, challenging students to interpret and present their findings in the form of readers theatre performances requires the application of synthesis and analysis skills. This article frames informational texts and readers theatre as…
Descriptors: Nonfiction, Expository Writing, Theater Arts, Inquiry
Greene, Jay P.; Hitt, Collin; Kraybill, Anne; Bogulski, Cari A. – Education Next, 2015
Culturally enriching field trips matter. They produce significant benefits for students on a variety of educational outcomes that schools and communities care about. This experiment on the effects of field trips to see live theater demonstrates that seeing plays is an effective way to teach academic content; increases student tolerance by…
Descriptors: Field Trips, Culturally Relevant Education, Theaters, Theater Arts
Wang, Jing – English Language Teaching, 2011
"Waiting for Godot" is one of the classic works of theater of the absurd. The play seems absurd but with a deep religious meaning. This text tries to explore the theme in four parts of God and man, breaking the agreement, repentance and imprecation and waiting for salvation.
Descriptors: Novels, Literary Criticism, Religious Factors, Christianity
Ratliff, Gerald Lee – Online Submission, 2010
Whether constructed on literary analysis models or inspired by conventional acting theories, Reader's Theatre performance techniques are an invaluable instructional tool available to teachers who want their students to see, hear and feel Shakespeare texts in classroom discussion and performance. These exercises are designed to promote both a…
Descriptors: English Literature, Literary Criticism, Models, Theater Arts
Dennis, Rea – Research in Drama Education, 2008
This essay seeks to unpack some of the issues concerning representation when performing refugee stories using playback theatre. It questions the reductive influence of narrative structure and, using the framework of "artist as ethnographer," it argues that strong aesthetic production is required to overcome the dampening effect of empathy when…
Descriptors: Personal Narratives, Empathy, Refugees, Aesthetic Education
Farrier, David – Research in Drama Education, 2008
This essay examines Michael Winterbottom's 2002 film "In This World," which follows the journey of two Afghan migrants from Peshawar to London. Winterbottom's preparation involved travelling from London to Peshawar and then in reverse overland as far as Istanbul; he then returned to Peshawar and filmed the same journey using two…
Descriptors: Film Production, Film Study, Refugees, Theater Arts
Gluhovic, Milija – Research in Drama Education, 2008
Focusing on "The Sheep and the Whale" ("Le mouton et la baleine," 2001) by Moroccan-Canadian playwright Ahmed Ghazali, this essay examines political and ethical issues concerning human migration from Africa to Europe. The play's representation of human rights abuses in the Strait of Gibraltar and the dilemmas facing illegal…
Descriptors: Foreign Countries, Ethics, Civil Rights, Foreign Policy
Jestrovic, Silvija – Research in Drama Education, 2008
This essay investigates performance events that feature actual refugees, asylum seekers and immigrants, but in instances where presence and embodiment are mediated and made ambiguous. My focus is a fashion show by Catalan designer Antonio Miro, who uses refugees from Senegal as models, and Christoph Schlingensief's public art project…
Descriptors: Art Education, Foreign Countries, Case Studies, Ethics
Burvill, Tom – Research in Drama Education, 2008
This essay begins by outlining Emmanuel Levinas's radical conception of ethics. Levinas invokes/declares an absolute and primary obligation of responsibility to the human Other, whom he figures hyperbolically as invoked by the epiphany of the encounter with "the face of the Other." This encounter with alterity founds not only ethics, but…
Descriptors: Ethics, Political Attitudes, Public Policy, Refugees
Dukore, Bernard F. – Educational Theatre Journal, 1971
Shaw's preoccupation with Hamlet resonates in his creative writing. Article documents this statement not only by examining his novels and plays but by searching through prefaces, postscripts, reviews, letters, speeches, etc. that span Shaw's lifetime. (Author/RB)
Descriptors: Classical Literature, Comedy, Drama, English Literature