In this article, Leake is arguing for the relevance of contemporary art as a way to bridge the gap between theory and practice in the spaces of art education. Graeme Sullivan develops a similar argument in his "Studies" article, "The Art of Research." Where Leake looks to possibilities for contemporary art as it is presented in…

This article describes a studio assignment grounded in social learning theory and intersectionality completed by preservice teachers during their first art education class, enabling students to begin to develop nuanced understandings about categories of difference. A studio assignment combines experiences in museum, community, and school settings…

Today's art museum educators face a challenge that is unprecedented in the field. Where not too long ago little was known regarding how people learn in the museum, now multiple theories have emerged (Falk & Dierking 1992, 2000; Hein 1998; Roberts, 1997; Yenawine, 1988). New theories breed new practices. The dilemma for art museum educators is to…

Explicates the socio-cultural developmental theories of Vygotsky and Feuerstein which advocate teacher mediated learning in order to stimulate and accelerate development. Implications for art education include the need for the teacher to become involved in the enculturation of the child into the thinking processes and conceptual organization of…

Argues that the most widely used accounts of children's artistic development are not only inadequate and incomplete but that they seriously misinform, obscuring more than they reveal about children's drawings. (Author/SJL)

A comparison is drawn between acquiring linguistic skills and acquiring creativity. It is suggested that aesthetic values have to be taught, that literalism has an important function in artistic development, that media can help to control and direct a child's attention, and that formulas impart a necessary competence. (Author/KC)

Reviews Betty Edwards' self-instruction book, "Drawing on the Right Side of the Brain," and discusses the motivational techniques used in that work. Argues that these techniques, designed to build student self-confidence, explain the book's popularity and provide instructive examples for other art teachers. (MJP)

Explores some of the more beguiling issues in aesthetics and education and suggests how they might be, in their devious ways, thwarting the development of aesthetic education. (Author/RK)

Contends that, in the last decade, there has been increased respect for teachers' practical theories about teaching and learning. Discusses preservice art teacher education and aspects of reflective teaching. Describes the use of student journals in an art methods course and presents quotes from the journals. (CFR)

Author outlined a theory explaining why young people make drawings. (Author/RK)

Specifies Erickson's stages of play, discusses the nature of toys, and suggests that teachers can structure a series of personally meaningful art experiences for their students by taking a fresh look at the play and play-objects of children. (Author/RK)

Outlines Epstein's theory of age-related brain growth spurts (phrenoblysis) and suggests ways that art educators might optimize learning during the growth spurt years and the intervening plateaus. (SJL)

The author examines the tenets, historical antecedents, and implications of the current art education theory of "planned eclecticism," which encourages relatively free curriculum content choices, subject only to the psychosocial context of the school. He questions the theory's dependence on sociological theories and scientific…

The author, an architect, discusses how architecture can provide sources of content for the curriculum in general and the art program in particular. She views architecture as a way of organizing the built environment, important to understanding history, social sciences, and mathematics as well as art. (KC)

Asserts that qualitative research methodology represents a fundamental reconceptualization about knowledge, validity, and education. Reviews the history and trends of educational research and argues that it is increasingly legitimate to use qualitative methods. (CFR)