Suggests ideas for incorporating student comments into yearbook design. (RB)

Discusses the merits of photography and layout in the production of a student newspaper. (RB)

The journalists of the future will be dedicated to telling the whole truth, good or bad, and will more and more be utilizing visual rather than verbal means of communication. (HS)

Suggests ways in which photo-features can be used in high school publications. (KS)

Describes the use of electronic photography (still video photography) digitized directly into computer layouts for student publications. (SR)

Offers four brief stories on redesigning "The Columbus Dispatch" newsroom, what changes technology caused, what high school teachers should teach photographers, and what skills are needed in packaging the news. (SR)

Discusses the rationale for the resolution passed by the American Bar Association in 1937 discouraging courtroom photography, and presents recent opinions by judges, attourneys, and photojournalists involving the use of cameras. (RB)

Discusses some of the guidelines yearbook staffs should follow when preparing the layout and planning the photography for the high school or college yearbook. (RB)

A question-answer interview on what can be accomplished in the way of special effects by the photojournalist who knows how to use the darkroom is followed by a discussion on how to achieve such effects. (RB)

Tells how a camera club provides photographs for the school newspaper and yearbook in one high school. (RB)

Historians of photography have failed to explore the origins of the Black Star Picture Agency and how it introduced experienced photojournalists to Henry Luce, a publisher attempting to break new ground in American journalism with the introduction of a picture magazine, "Life," in 1936. Black Star's founders, Ernest Mayer, Kurt Kornfeld,…