In his analysis of the twentieth century, the philosopher Alain Badiou defined a "passion for the real" in terms of spectacle, in its extreme violence, disseminated through art or cultural media, that would shake us out of a complacency we might call reality. But how do we teach Badiou's "real" in the technological world…

Rutz presents samples of artist Steve Mumford's paintings from the Iraq war zone alongside photos or other war images and asks readers to examine notions of journalism, photojournalism, and the practices of representing war.

Examining Malcolm Browne's photograph of the burning monk as well as appropriations of it by the Ministers' Vietnam Committee, I argue that self-immolation is a powerful rhetorical act that utilizes self-inflicted violence as a means of performing a visual embodiment of violence done by an "other." I assert that the power and resonance…

The Technology and the Media section of the proceedings contains the following 18 papers: "What's Wrong with This Picture?: Attitudes of Photographic Editors at Daily Newspapers and Their Tolerance toward Digital Manipulation" (Shiela Reaves); "Strategies for the Analysis of Large-Scale Databases in Computer-Assisted Investigative…