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Peer reviewedLayman, B. J. – Italica, 1969
Descriptors: Characterization, Impressionistic Criticism, Italian Literature, Motifs
Peer reviewedCerreta, Florindo – Italica, 1970
Descriptors: Characterization, Formal Criticism, Italian Literature, Medieval Literature
Peer reviewedKamber, Gerald – Italica, 1969
A comparison between Maniafuoco and Buttafuoco, characters from the "Decameron and Pinocchio and Andreuccio of Collodi's "Pinocchio . (DS)
Descriptors: Characterization, Diagrams, Formal Criticism, Italian Literature
Peer reviewedSchneider, Franz K. – Italica, 1972
Descriptors: Characterization, Formal Criticism, Imagery, Italian Literature
Peer reviewedNeedler, H. I. – Italica, 1970
Descriptors: Allegory, Analytical Criticism, Characterization, Christianity
Peer reviewedBonadeo, Alfredo – Italica, 1969
Descriptors: Analytical Criticism, Characterization, Italian Literature, Novels
Peer reviewedSchneider, Marilyn – Italica, 1969
Descriptors: Allegory, Characterization, Italian Literature, Moral Criticism
Peer reviewedBrown, Merle E. – Italica, 1971
Study supported by a travel grant from the American Philosophical Society. (DS)
Descriptors: Allegory, Characterization, Formal Criticism, Italian Literature
Peer reviewedTreitel, Renata Minerbi – Italica, 1971
Descriptors: Characterization, Italian Literature, Mythic Criticism, Novels
Peer reviewedO'Neill, Tom – Italica, 1970
Descriptors: Characterization, Impressionistic Criticism, Italian Literature, Moral Criticism
Peer reviewedLebano, Edoardo A. – Italica, 1969
Descriptors: Characterization, Christianity, Dialogs (Literary), Fifteenth Century Literature
Wilkin, Andrew – Modern Languages, 1971
Descriptors: Characterization, Formal Criticism, Italian Literature, Moral Values
Peer reviewedPullini, Georgio – Italica, 1971
Descriptors: Characterization, Comedy, Dialogs (Literary), Drama
Peer reviewedLawrence, Kenneth – Italica, 1970
Descriptors: Characterization, Drama, Formal Criticism, Italian Literature
Kirby, Michael, Ed. – The Drama Review, 1978
In 1964, when the "living" theatre appeared to be dying in New York, theater in Italy began changing from an author-oriented to a performance-oriented, nonliterary form. The articles in this document trace the historical development of Italian theatre and analyze current dramas which demonstrate the diversity of approaches and the energy…
Descriptors: Acting, Association (Psychology), Caricatures, Characterization
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