This article describes a University of Pittsburgh course for preservice teachers entitled, "Using the Museum as a Resource." The goal of this interdisciplinary offering is to emphasize the use of museum resources as a base for curriculum development. (Author/SJL)

Describes how an English teacher and an art teacher collaborated to create a combined curriculum based on interdisciplinary projects for sophomore students at their high school. Describes planning the course and using a theme; gives some examples demonstrating how ideas about interdisciplinarity became realities in classroom practice; and…

Focuses on the artwork of Larry Rivers as a means to integrate art and history. Discusses a project completed by preservice teachers in which they created a Rivers-style mural for the Ronald Reagan Elementary School (Bakersville, California), depicting the life and contributions of former U.S. President Ronald Reagan. (CMK)

Explores whether reading skills can be enhanced by visual arts instruction. Provides results from two meta-analyses on: (1) whether art instruction improves reading on its own; and (2) whether teaching reading through art is more effective than teaching reading alone. (CMK)

Describes how students incorporated the use of faux finishes in the construction of scenery for a school production of "Cinderella." After researching medieval castles and different types of stone surfaces, students used a sponge printing technique for exterior walls and a marbling technique for columns in the ballroom scene. (GG)

Presents a sample lesson plan using Discipline Based Art Education (DBAE), an approach that integrates social studies with related content from other disciplines. The lesson plan combines economics, art history, aesthetics, and art criticism in its "Analysis of a Fresco Depicting Production in an American City." Includes follow-up…

Contends that environmental issues are shaping contemporary scholarship across academic areas. Asserts that art educators are familiar with the relationships among art, art education, and the environment. Explores ideas of contemporary ecotheorists and proposes an expanded concept of the community in relation to place. (CFR)

Describes a college level art history course based on the opposing concepts of Classicism and Romanticism. Contends that all creative work, such as film or architecture, can be categorized according to this bipolar model. Includes suggestions for objects to study and recommends this approach for art education at all education levels. (CFR)

Asserts that art education is an essential ingredient of a strong curriculum. Discusses the advantages of art education and the importance of art and aesthetics to the business community as an incentive for changing attitudes of art-education antagonists. Gives three stories capturing the vision of effective art teaching for the 21st century. (CMK)

Describes a unit on Egypt used in an interdisciplinary curriculum that involves activities in social studies, art, science, language (Latin), and computers. Explains that each discipline is assessed separately in order to reward students' strengths. Highlights the benefits of interdisciplinary curricula. (CMK)

Describes a thematic, interdisciplinary unit for seventh grade that unites social studies and art. Focuses on the history of Native American art in Arizona, especially Navajo weaving. Discusses the weaving project. (CMK)

Discusses ways to integrate software-based programs and other new technologies into art education. Provides examples of student activities that are cross-curricular in nature, including computer-based publishing for artwork and writing; and suggests incorporating new technology with traditional methods. (LRW)

Presents an instructional resource appropriate for fourth- to eight-graders focusing on four artworks that depict the story of U.S. landscape painting and the influences of technological change. Includes background information about the authors and artworks, discussion questions, an exercise that allows students to study the artwork, and suggested…

Explains that performance art incorporates different artistic forms, emphasizes the process of art over the product, and blurs the line between life and art. Discusses the history of performance art, highlights the Performance Art, Culture, and Pedagogy Symposium, and provides examples of how to use performance art in the classroom. (CMK)

Describes an art project for seventh-grade students in which they choose motifs based on Incan, Aztec, and Mayan Indian materials to incorporate into two-dimensional designs. Explains that the activity objective is to create a unified, balanced and pleasing composition using a minimum of three motifs. (CMK)