The emergence of artificial intelligence (AI) in academia has prompted various debates on the uses, threats, and limitations of tools that can create text for numerous academic purposes. Critics argue that these advancements may provide opportunities for cheating and plagiarism and even replace the art of writing entirely. To reclaim the…

This article explores academic and industry perspectives on the use of dialect, slang, and historical language in screenwriting. It offers a chronological overview of major screenwriting manuals' treatment of dialect and slang (or lack thereof) 1946-2020. It then presents survey data of 53 currently-practicing screenwriters' views on working with…

The effective design and use of Automated Writing Evaluation (AWE) tools in developing English as a Foreign Language (EFL) learners' writing skill and learner autonomy have remained great challenges for system designers, developers, and EFL instructors compared with that of the pencil-paper writing in the context of regular teacher-fronted…

The writing across the curriculum movement has rightfully gained recognition as a transformative force in how teachers conceive of, use, and assign writing in their classes throughout various disciplines. Drawing on data from the first three years of an ongoing study of faculty "WAC fellows" at a large, comprehensive state university,…

The 43rd annual conference of the Adult and Higher Education Alliance (AHEA) was held at the University of Central Florida in March 2019. Papers in these proceedings include the following: (1) How does Experimental Learning Increase Skills and Knowledge Acquisition and Retention in the Non-Traditional Adult Learner? (David Antico); (2) CHAT and…

Proposes that students writing public letters to their forebears might provide a reminder of how individuals and communities can learn from the experience of their foremothers and forefathers. Includes the author's letter to her grandfather, who was imprisoned in internment camps for Japanese Americans during World War II. (PM)

Notes that the idea that prison is a good place for writers is not easily dismissed. Explains that imprisonment forces a certain focus and a reassessment of one's life and actions. Concludes that a lot of writing from prison happens in spite of the situation, not because of it. (PM)

Examines the paradigm "the writer is self-contained," which underlies current writing practices in business and education. Discusses how creating a supportive climate for the writing process relates to the paradigm "every writer needs an editor." Discusses the implications of making such a change in business, industry, and education. (SR)

Lists and discusses briefly six "jumpstarters" for writers, intended to "rev them up and keep them going." (SR)

Explores a textbook writer's feelings on the publisher's remaindering of his book. Follows with the writer's responses to comments and queries sent to him over the past year. (PRA)

Includes an interview with writer Lydia Davis. Discusses her definition of story, her use of endings, and her language choice. Provides an excerpt of her translation of Marcel Proust's "Swann's Way." (PM)

Examines the question of whether writers have to stick to literal facts of a story. Contends that the type of memoir a writer produces is determined in part by that writer's sensibility, as well as by how that writer views the genre. Concludes that the emotional truths of memoirs are often better served by how they are remembered than by how they…

Offers a poet's reflections on writing and his schooling. (PRA)

Presents an interview with author Margaret Atwood about teaching writing, her experience of writing, and Canadian literature. (SR)

Discusses the somatic mind, a permeable materiality in which mind and body resolve into a single entity which is (re)formed by the constantly shifting boundaries of discursive and corporeal intertextualities. Addresses its importance in composition studies. Critiques the poststructuralist disregard of corporeality. (CR)