Can verse mediate between the educational institution and the wider community of which it is a part? Utilising a case study of a specific taught module, this essay considers whether the performance of poetry as an experiential learning activity has a role to play in the emerging concept of the university as an anchor institution, a term that…

The pedagogical principle of experiential learning embodied in the oral interpretation of literature through Readers' Theater provides an avenue to accomplish a seemingly daunting task. Students' participation in reading, interpreting, discussing, writing, assessing, and performing their own creative responses to a literary work promotes a…

Of the many things which are important to a student's performance, the ballot determines who advances in forensics competition and, ideally, offers a rationale for why some are successful and others are not. This paper aims to lay out guidelines for inexperienced judges and new coaches in writing a proper oral interpretation ballot. The paper also…

Oral interpreters have traditionally been taught to begin their work with an in-depth examination of the text. Thus, classes in oral interpretation have emphasized the importance of literary analysis. Before a student can attempt a performance, the text must be analyzed in detail, as fully as possible, in an attempt to understand the nuances…

Proposes to supplement the changes in oral interpretation pedagogy brought about in broadening the idea of "text" by describing an alternative approach to analyzing and performing texts based on semiotic theory and Robert Scholes' model of reading. (SR)

Provides a test that acquaints students with the metrical structure of a poem by selecting a familiar song that will accommodate the words of the poem. (PD)

One of the frustrations students new to intercollegiate competitive oral interpretation experience is having to learn the "unwritten rules" for the events. These rules are neither intrinsically negative nor positive. Any of the practices embodied in these rules may be used effectively by a student performing an oral interpretation of…

Discusses issues of interpretation versus reading in oral interpretation, or the performance of literature. Offers an extended classroom example to make the case for alternative kinds of performance and their ability to keep practices of performing literature valuable in the current academic scene. (SR)

This proceedings presents 19 papers delivered a National Developmental Conference on Individual Events, addressing individual events, Lincoln-Douglas debate, and parliamentary debate. After presenting the conference schedule, the list of attendees, and resolutions, papers in the proceedings are: "The Ghostwriter, The Laissez-Faire Coach, and…

Suggestions are offered in this paper for adapting C. S. Lewis's poems for oral interpretation. A discussion of Lewis's lifelong correspondence with his friend Arthur Greeves provides insights into Lewis's perceptions of his own writing. Eighty poems selected from Lewis's "Poems" as appropriate for oral interpretation are classified…

Outlines common abuses that occur when students first use dramatic analysis in oral interpretation. Offers guidelines to help make students' efforts more productive; uses William Carlos Williams's poem "The Red Wheelbarrow" as an example. (PD)

Outlines an exercise that gets students to experience the oral composition of poetry. Describes methods for implementing the exercise; discusses results and advantages. (PD)

Explains how oral interpretation is uniquely communicative and how the double bind theory of communication can include creativity. Discusses (1) double bind and oral interpretation, (2) creating aesthetic text, and (3) the performance of double bind. (PD)

Uses contemporary language theorists to argue that texts considered nonliterary by traditional standards share properties that theorists praise in literature, such as complexity, richness of language, and potential for interpretation. Insists that performance and literature have a historically sanctioned symbiotic relationship so strong that to…

This paper presents an outline of rehearsal procedures designed to provide instructors and students of the beginning interpretation class with a concrete, consistent framework for preparing literature for solo classroom performance. The outline offers a five-step process, and discusses each step in the process. First, the student must select a…