Discusses how music teachers can begin a gospel choir at the middle school through university levels. Provides a historical background on gospel choirs and presents the benefits of having a gospel choir. Focuses on issues teachers should address, how to teach this type of choir, and common misconceptions. (CMK)

Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…

Examines compositional strategies and musical creativity of 38 seventh-grade students in junior high schools in Seoul (Korea) when composing with staff notations (traditional group) versus graphic notations (non-traditional group). Finds that musical creativity levels were judged to be significantly higher in the non-traditional compositions. (CMK)

Explores whether the tsumari phenomenon appears in the performance of keyboard instruments and maintains that tsumari will be severe among subjects with little music training. Finds that tsumari was seen most conspicuously in this beginner group. Concludes that the structural arrangement of the music plays an important role in the tsumari…

Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…

One component of a model of creativity, the application of an understanding of elements, was explored through a study of college students applying their understanding of such musical elements as harmony, melody, rhythm, timbre, and dynamics. The 24 subjects were students in a music appreciation class, and the project was implemented using a…

Attempts to develop a song-writing technique to reduce posttraumatic stress disorder (PTSD) symptoms in abused children from 9 to 17 years old, all patients of an inpatient psychiatric child/adolescent unit who had been physically and/or sexually abused. Finds no significant change in overall scores due to treatment condition. (SR)

Otto Luening, one of the pioneers in the development of tape composition, talks about a variety of topics, including the education of musicians, the relationship between composer and teacher, his class for non-music majors, the musical training a teacher should have, and changes needed in music education. (RM)

This project was created to help music students in their development of part-writing and harmonization skills, requirements for college-level music study. It was developed and programmed by members of the Instructional Technology Center and Department of Music at the University of Delaware. The software developed during this project provides…

A study evaluated peer assessment in two areas of an undergraduate music curriculum (composition and performance) at Kingston University (England). Data were drawn from teacher interviews, a student survey, and from evaluation and feedback of the peer assessment process. Concludes that peer assessment improves students' critical faculties and…

Considers why students should participate in a chamber music ensemble: (1) students develop a sense of collegiality and self-worth; (2) ensembles encourage practice time; and (3) ensembles provide flexible performance opportunities. Highlights the different aspects of creating an ensemble from the availability of faculty to selecting challenging…

Born in 1910, composer William Schuman has been deeply involved with music education, first as a college professor and later a president of the Julliard School of Music. In this interview, Schuman talks about what music means to him, his teaching career, and music in general education. (RM)

Examination of lyrics of the blues and jazz forms of black music indicates their importance as communication. Contemporary styles can be divided into five overlapping categories: (1) "mainstream," the post-"bebop" style and soul jazz; (2) jazz influenced by other ethnic music; (3) the avant-garde jazz, which is often…

Asserts that a revolution has been occurring in musicology since the 1970s. Contends that music has change from being only a source of emotion to appearing more open to science and techniques based on computer technology. Describes recent research and other writings about the topic and provides an extensive bibliography. (CFR)

Explores whether listeners can discern if melodic, harmonic, and rhythmic parameters and pairings of these parameters are abstracted from the ongoing flow of a musical event. Reports that students in grades 3, 6, and 9 identified phrases as being the same as the initial phrase; grade 12 students identified different phrases more often. (CMK)