Describes a classroom exercise which focuses the student's attention on his visual imagination and helps him learn how to apply his imagination to the study of poetry. (RB)

Argues that a valid model for writing good literature must stress the importance of imagination and provides samples from serveral writers to buttress the point. (RB)

Four experiments with 88 college students investigated whether variations in orientation that affect the ability to imagine rotations also affect the ability to imagine projective transformations. Results suggest that imagination of projection and rotation involves organization of spatial structures in relation to initially given properties of the…

Ponders what students might learn from a course in playwriting: the ability to think in vivid instances and moments; the habit of close observation of the details of human behavior; the ability to think through and see through cliches; making hard choices; sympathy; dreaming within limits; and concision. (SR)

Suggests that the valorization of Emerson in English departments has been behind the split between fiction and nonfiction, and between creative writing and composition. Suggests further that the values Emerson places on contemplation versus action degrade argument and persuasion. (TB)

Examines issues of literacy and identity relative to the development of a critical pedagogy and a critical democracy. Argues that the best strategies to foster a critical and astute citizenry that would pursue a radical, transcultural democracy, involve maximizing various epistemologies, searching for transcultural understandings, and opening up…

Damp Valley U granted Jeff tenure after six years. Then, four years later, he found himself sweating through a post-tenure interrogation. The damning charges: uttering the word "foreman," involvement with a men's group, failure to note that 50 percent of cowgirls were black. Thomas Reeves enumerates the punishment meted out to his white male…

In the current teaching activities on curriculum, teachers taught all kinds of computer language at the most of the time. Students also focus on a variety of examinations, but the real time to train students' independent software developing skill is very limited. This has resulted in the students only to copy other people's systems design ideas,…

This paper argues that, during the late twentieth and early twenty-first centuries, universities have been captured by neo-liberal regimes of truth. We suggest that this may inhibit the "research imagination" within universities and, consequently, their role in the democratisation of knowledge. We consider the role of capital in the…

Background Context: There has been much recent discussion on the role of spirituality in higher education, and much emphasis in the past 20 years on the importance of attending to diversity and equity concerns, though for the most part these discussions have been separate. This paper takes up the suggestion of scholars such as Barbara Wallace who…

Scales assessing absorption, or a predisposition to become highly involved in sensory and imaginative experiences in non-hypnotic contexts, have predicted hypnotic responsivity as well. To examine the effects of expectancy on hypnotic responding by measuring expectancies at different points in the hypnotic experience, and to test for possible…

This book is a study of developments in the field of creativity. The major topics include: (1) creativity as related to intelligence and personality; (2) the structure of intellect; (3) research into convergent and divergent thinking; (4) educational factors in creativity; (5) creativity and environment; and (6) current trends in creativity…

A fuller development of imagination can bring the curriculum into a coherent, cohesive whole. (Author/MLF)

Leo Tolstoy and Lev Vygotsky, like Sylvia Ashton-Warner, Maria Montessori, and Paulo Freire, base their educational philosophies on the heuristic power of language, the form-finding, and form-creating powers of the human mind. (DD)

From the director's point of view, a "memorable monologue" is one in which the actor exhibits imagination and invention in role-playing. Memorable audition monologues require a measured degree of "risk taking" and uninhibited abandon--the first task is to select monologues that suit the type of script and the role being cast.…