Discusses philosophical and pedagogical commonalities in the fields of composition and women's studies by examining the work of Ann E. Berthoff and Susanne K. Langer. (RS)

Recognizes that the recent terrorist attacks were a powerful reminder that the imagination can be a destructive as well as a constructive force. Addresses the unsettling question of what it means to educate the imagination in the wake of September 11th. (SG)

Martha Nussbaum and others claim that the study of literature can make a significant contribution to political education by nurturing empathic capacities. In Nussbaum's reading of the situation, the need to promote the creation of bonds of compassion-based solidarity between co-citizens provides material for an argument to restore the study of…

To determine whether concealed imagery was an effective mnemonic aid in the recall of paired objects, two studies were conducted with explicitly worded instructions to conceal targets and with variable image formation periods. In each study, 40 subjects were presented with counterbalanced verbal descriptions of Concealed, Pictorial, and Separate…

Discusses the controversy surrounding Ken Russell's interpretations of the materials on which he bases his films. (RB)

Retells the history of United States rhetorical studies as a negotiation over the meaning of the concepts of invention and imagination. Provides a genealogical outline of the transformation of the imagination in rhetorical theory. Concludes by urging a consideration of the "imaginary," a psychoanalytic understanding of the collective unconscious,…

Notes a resurgence of interest and practice in participational theater. Explains that playwrights, directors, and theater educators have begun to ask questions and seek information about available scripts and guidelines for creating new works. Includes edited remarks by six practitioners who talked about their experiences with participation…

Results of 5 experiments involving 385 undergraduates imagining animals from another galaxy are consistent with the idea that similar structures and processes underlie creative and noncreative aspects of cognition. The concept of structured imagination and the role of characteristic properties are explored. (SLD)

Narrates the experiences that the author encountered growing up in his native South Africa. Maintains the omnipresence of poetry and the need to educate the imagination to see and hear poetry everywhere. Considers ways of salvaging the imagination. (HB)

Asserts that mental imagery and human imagination are not only involved in the composition process but are fundamental to it. Asserts also that imagination is central to all communication, especially sophisticated use of language. Argues that imagination is the basis of concept of persona and perhaps of all rhetoric. Discusses imagery in modern…

The author makes the case that the role of the intellectual is to effect change, to challenge vested interests that would limit dialogue on matters of grave importance and to function as a public witness-bearer to personal and public forms of truth. He goes on to state, however, that this role cannot be properly fulfilled unless narrow, purely…

Argues that instruction in English should emphasize the creative and imaginative use of language. (RB)

While there is increasing evidence that creativity can be improved through training, the spacing of the training has not been studied. This study assessed the effect of spaced training on the use of creative imagination in 110 undergraduate students. The research design was a randomized delayed posttest-only design. The independent variable was…

It has been shown that internally generated (thought or imagination) and externally generated (events, things, or people encountered in the past) autobiographical memories differ in characteristic ways. To examine the consequences of rehearsal on simulated perceived and imagined autobiographical memories, 36 undergraduate students participated in…