States that instructors of theatrical design are forced to adapt their teaching methods to suit new circumstances and situations. Points out that the controversy over the apparent decline of education has spread to the teaching of theatrical design. Describes some of the paradoxical theories being discussed. Presents ideas to…

Proposes a "scene festival" to get students interested in doing Shakespeare. Suggests that middle school students are best suited for such a project. Discusses the different types of festivals, how to get ready, how to choose a play and scenes, how to prepare and cast scenes, how to proceed with staging, and how to create promptbooks.…

In recent years, theatre faculty have come to understand that advanced degrees do not guarantee that a person is qualified for the subtle, complex, and dangerous job of teaching acting, and that actor training has more to do with the problems of human behavior than with the theatre. The fundamental problem with acting is the fear that controls…

A faculty mentor is that person in the university theatre department who initiates students into not only the world of subject matter but also the world of scholarly and academic action. A mentor trains a "thinker of the theatre" to take a place in the intelligentsia that is responsible for producing art and retaining the stewardship of artistic…

Liberal arts faculty at the professionally oriented performing arts schools, whose subject matter is often viewed as peripheral to the institution's central mission, are working to end their relative isolation both within their institutions and from other liberal arts faculty. A recent first conference of such faculty addressed their concerns.…

Considers the pedagogy of teaching theater to college students who will be secondary school drama teachers, including available instructional materials and lack of methods courses. Calls for creation of a complete pedagogy for secondary school theater. (PA)

Argues that student ownership of drama/theatre work encourages an unparalleled level of commitment and collaboration. Discusses four criteria signifying student ownership; teacher reluctance towards student ownership; effective roles for the teacher; and student benefits from ownership in drama work. (SR)

Teaching can be viewed as a performing art, and teacher educators need to recognize that acting and the art of teaching have much in common. A model for preservice teacher education, correlating dramatic techniques with pedagogy in student teaching, is introduced. (PP)

Explores whether focusing the attention of evaluators on students versus the teacher would affect the assessment of teaching in choral rehearsal situations. Music education majors used 10 categories to rate the teacher or students. Reveals that subjects gave the highest ratings when viewing the teacher and the lowest ratings when viewing students.…

These four issues of the English Leadership Quarterly represent those published during 1993. Articles in number 1 deal with parent involvement and participation, and include: "Opening the Doors to Open House" (Jolene A. Borgese); "Parent/Teacher Conferences: Avoiding the Collision Course" (Robert Perrin); "Expanding Human…

The sources and nature of conflict/accord between the artist role and the three primary roles that the artist confronts in the university--teaching, research, and the faculty role--were investigated. For comparison purposes, faculty members in the humanities fields were interviewed in addition to the full-time faculty members who were also…

Describes the theater arts teacher education program at the University of Kansas, Lawrence. Asserts that "connected teaching," in which individual teachers and their students are colearners, forms the foundation for the program. Includes an appendix listing current Kansas standards for certification of drama teachers. (CFR)

Discusses the reasons for, and the reactions to, the marginalization of drama/theater education in the Israeli school system. Curricular reform introduced in the mid-1980s resulted in some improvement, however, school principal autonomy remains a major stumbling block. Recommends drama teachers seize the initiative and implement programs on their…

This practical and theoretical guide to the use of theater arts in foreign language teaching contains exercises, techniques, and fundamental theory for teachers at all levels of foreign language instruction, but particularly for those teaching adults and adolescents at intermediate or higher levels. An introductory section outlines common…

This report presents the statements of discipline-based professional associations and accrediting agencies on professional recognition of college faculty for their varied contributions in the areas of teaching, scholarship, and service. An introductory section describes the evolution of a nationwide effort to open dialogue on faculty priorities…