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Allison Machlis Meyer – CEA Forum, 2023
This essay analyzes student experiences of studying all-female and non-binary cast Shakespeare productions in the Seattle area, including upstart crow collective's "Richard III" and The Fern Shakespeare Company's "Much Ado About Nothing." I draw on my teaching of the experimental work of these regional companies in an…
Descriptors: English Literature, Females, LGBTQ People, Minority Groups
Klaus, Carl H.; And Others – 1995
Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…
Descriptors: Audiences, Higher Education, Literary Criticism, Playwriting
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Demo, Mary Penasack – Children's Theatre Review, 1983
Presents abstracts of ERIC instructional and background documents to help teachers and administrators of theatre and drama programs. (PD)
Descriptors: Elementary Secondary Education, Higher Education, Production Techniques, Readers Theater
Tucker, John Alan – Speech Teacher, 1975
Deals with the problems encountered by beginning opera directors. Emphasizes consideration of rehearsal scheduales, conductor-director relationship, and script interpretation. (MH)
Descriptors: Dance, Drama, Higher Education, Music
Lannon, William – Teaching Theatre, 1998
Defines a stage director's rehearsal note as a written reminder to tell an actor (or technical person) something seen during a rehearsal when there was no time to stop the action. Finds a note can contain a suggestion, a correction, or a compliment. Presents examples from play rehearsals of when a note was needed. (PA)
Descriptors: Higher Education, Notetaking, Production Techniques, Rehearsals (Theater Arts)
ERIC Clearinghouse on Reading and Communication Skills, Urbana, IL. – 1980
This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 15 titles deal with the following topics: (1) a taxonomy of educational objectives in acting; (2) contemporary musical theatre in Utah; (3) applying management concepts to educational theatre operations; (4) creative drama and…
Descriptors: Acting, Annotated Bibliographies, Creative Dramatics, Doctoral Dissertations
Taft-Kaufman, Jill – 1981
The extensive use of improvisational techniques in rehearsals for chamber theatre productions develops for the performer a strong engagement with the text. The director can channel the movement and gestures that emerge from these techniques into the production itself, with results that more effectively convey the literature than traditional…
Descriptors: Acting, Creative Activities, Dramatics, Higher Education
ERIC Clearinghouse on Reading and Communication Skills, Urbana, IL. – 1982
This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 25 titles deal with a variety of topics, including the following: (1) the development of American theatre management practices between 1830 and 1896; (2) the aesthetics of audience response; (3) P. Picasso as a theatrical…
Descriptors: Acting, Annotated Bibliographies, Art, Blacks
Fitzhugh, Mike – Teaching Theatre, 1996
Explores production ideas for plays other than works by Shakespeare, including medieval plays such as the "Wakefield Noah" by the Wakefield Master. Lists some questions to consider when deciding to perform a medieval play. (PA)
Descriptors: Higher Education, Medieval Literature, Production Techniques, Theater Arts
Cook, Rena – Teaching Theatre, 1995
Describes the relationship between a set designer and a director. Explains that set design is an integral part of every production. Compares the different fears of the set designer and the director. Relates an experience in a University of Kansas production of "Gypsy" in which the production was a collaborative effort in all respects.…
Descriptors: Cooperation, Higher Education, Production Techniques, Teamwork
ERIC Clearinghouse on Reading and Communication Skills, Urbana, IL. – 1984
This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 12 titles deal with the following topics: (1) awareness of self, awareness of environment, mental imagery, communicative competency, and theatrical improvisation; (2) the evolution of scenography in the Western theatre; (3)…
Descriptors: Acting, Annotated Bibliographies, Communication Research, Curriculum Development
Cantor, Jon – Teaching Theatre, 2002
Suggests site-specific theatrical productions can create innovative productions in nontraditional spaces. Discusses the experiences of the author as he directed a site-specific production (Wendy MacLeod's "The Shallow End," set at an indoor pool) and addresses the lessons he learned from it. Includes advice on creating site-specific productions.…
Descriptors: Acting, Audience Awareness, Higher Education, Production Techniques
Wilson, Edwin – 1994
Based on the idea that the focus of theater is human beings and thus that theater can be related to experiences already familiar to students, this book aims to provide both instructors and students with informative, incisive, and pleasurable knowledge about the theater. The book is divided into 6 parts and subdivided into chapters within each…
Descriptors: Audiences, Higher Education, Playwriting, Production Techniques
McGeever, Charles John – 1976
The purpose of this paper is to advance the state of chamber-theatre theory by providing a mechanism not only for the staging of works of prose fiction using several narrators but also for those works which have been cast in a temporal sequence inconsistent with the customary perception of time. Venn diagrams are used to represent logical…
Descriptors: Dramatics, Higher Education, Narration, Production Techniques
Amor, Edward – 1981
The playwrights-directors workshop at the University of Wisconsin (Madison) allows students of directing and playwriting to meet jointly to explore and solve problems in the creation and production of original one-act scripts. At the heart of the program is the belief that both playwriting and directing students profit from producing their efforts…
Descriptors: Dramatics, Higher Education, Playwriting, Production Techniques
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