Examines a dissertation that provides a classification and analysis of 197 "bebop" themes. Explains a major drawback of the study is the author's unwillingness to interpret his data and answer questions the study raises. Concludes with a rebuttal which defends the study and explains the research rationale. (BSR)

This paper recounts the history of jazz music in the United States and its passage from despised, marginal entertainment to the solid respect conferred by academe. The author asserts that such respect has little to do with music and a great deal to do with class, race, jobs, and money. The first extracurricular college jazz band at North Texas…

The centennial year of Edward K. "Duke" Ellington's birth has inspired many American colleges and universities to convene tribute concerts and conferences. However, few schools offer majors in jazz-related studies; those that do often maintain strict separation between jazz and classical music instruction. Many in the jazz-education…

Describes a strategy for teaching blues improvisation to beginning and intermediate level improvisation students. Focuses on three aspects of the method: (1) phrase structure; (2) dramatic shape; and (3) thematic development. Includes a bibliography of resources and a list of terminology. (CMK)

The author highlights some of the progressive trends in jazz band arrangements--woodwind doubling, synthesizers, strings, multipercussion, and other nontraditional instruments--and suggests sources for such scores to school jazz band directors. This article is part of a theme issue on popular music. (Author/SJL)

Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…

Examination of lyrics of the blues and jazz forms of black music indicates their importance as communication. Contemporary styles can be divided into five overlapping categories: (1) "mainstream," the post-"bebop" style and soul jazz; (2) jazz influenced by other ethnic music; (3) the avant-garde jazz, which is often…

Presents 44 entries from a modern composer and music professors' journal, culled from 1993 to the present. Includes comments and criticisms of composers and musicians, as well as philosophical and practical observations. (MJP)