The research behaviors and library use of dance scholars are widely unknown, particularly in regard to issues of access to historical materials and new technology preferences. In the past thirty years, college and university dance departments in the United States have developed into independent, research-based programs. Despite the lack of current…

Doctoral degrees in the visual and performing arts are a fairly recent entrant in the research higher degree landscape in Australian universities. At the same time, a new kind of doctorate is evolving, a doctorate in which significant aspects of the claim for the doctoral characteristics of originality, mastery and contribution to the field are…

This study intended to identify commonalities of fine arts programs at selected private liberal arts colleges and universities in order to ultimately develop an exemplary fine arts program in a similar setting. This study searched for answers to three research questions within the context of art, music, dance, and theatre. The first research…

The importance of music improvisation can be seen in its inclusion in the National Standards for Music Education and the accreditation standards for the National Association of Schools of Music. The purpose of this study was to examine the pedagogical techniques and materials of improvisation instructors who do not hold academic credentials. The…

Describes a visit to the Moscow Art Theatre Institute, including an interview with its director, Oleg Tabakov; a comprehensive tour of the school; and attendance at plays produced by the Moscow Art Theatre. (SR)

Notes a resurgence of interest and practice in participational theater. Explains that playwrights, directors, and theater educators have begun to ask questions and seek information about available scripts and guidelines for creating new works. Includes edited remarks by six practitioners who talked about their experiences with participation…

This 30-minute videotape was created as an advocacy tool for performing arts educators to use with lay people. It is aimed at community leaders; parents; school, college, and university principals; primary and secondary teachers in inservice and preservice workshops; education officers and committees; community funding agencies; ministers of…

Relates an interview with the actor Tony Randall, 1995's Honorary Chairman for Theater in Our Schools Month. Chronicles his decision to act at 12 years of age, his acting studies, and his professional life to the present. Presents his opinions--for example, that the arts in schools are important, in accordance with the Goals 2000 Act. (PA)

This interview with Mexican-American, Octavio Solis, considers that many facets of his education and experience in the theater. Solis, interviewed by Bob Yowell, Northern Arizona University Theatre Department faculty member and that campus' producer of Solis' play "El Paso Blue," touches on the importance of his acting experience when…

In this interview, Joe Rosenberg explains how his bilingual theater has helped Mexican American students learn acting skills, gain better proficiency in English and Spanish, and increase their self-respect. (Author)

Maynard Mack, Emeritus Sterling Professor of English at Yale, discusses his pioneering work with the oral interpretation of literature in the graduate and undergraduate English classroom, making the point that such oral techniques need not be limited to the drama or speech departments. (Author/SJL)

Presents an interview with Ruth Beall Heinig, author of "Creative Drama for the Classroom Teacher," about her role as a teacher of creative drama and as a teacher-educator preparing teachers to use creative drama. Describes the development of her career in creative drama. Offers information on books about the subject written by other authors. (CR)

Relates an interview with Jonothan Neelands, author of "Making Sense of Drama,""Learning in Imagined Contexts," and "Structuring Drama Work." Describes the different roles drama and theater can play in the lives of the student and the school, including that of using drama to explore language arts, science, or history. Discusses Neelands' theories…

This paper discusses the creative use of information technologies to teach world theater in a course at Austin Peay State University (Tennessee). Compared with western theater, world theater demands a broader access to information than is generally available. The goal of the course is to compare various forms of theater using materials and human…

The dreams and contributions of 15 outstanding New York City women are presented through interviews. The women are involved in various fields, such as the professions, the arts, business, sports, and politics. They also represent the diversity of cultures and nationalities of the city. The profiles provide examples of how women in the 1980s are…