Offers some thoughts on the structure of the choices presented in the hypertext read-only file called "WOE" (included on a disk with this journal). (SR)

Offers a monomeric narrative intended as a side-chain narrative to "WOE," a hypertext read-only narrative computer file included on disk with this journal. (SR)

Presents four interstitials, each followed by a contour on understanding the nature of and relationships among different media: the book, electronic text, and hypertext. (NH)

Offers a narrative of the collaborative creation of a HyperCard hypertext called the E.A.R., and describes how the ideas developed in that project were adapted into a first-year composition course. Hopes to gain insight into both the larger aims of the border crossings central to bell hooks' ongoing project and the more local goals of hypertext…

Argues that the accidents of reading a hypertext (changing your destination, forgetting your point of departure, or getting lost along the way) are not the effects of inappropriate cues, misinterpreted reference or poor design, but the general condition of the hypertext as text, amplified by the narrative turns of the link. (SR)

Constructs a discourse (through argument, analysis, and reading) concerning conceptual changes that might expand ideas of hypertext rhetoric. Applies those changes by combining conventions of traditional print discourse with conventions of hypertextual writing. (NH)

Argues that Hypertext (which exists and can only exist online) is very different from more traditional forms of text and represents a new medium for thought and expression. Discusses the new practice and new rhetoric of Hypertext. (RS)

Argues that those who would create a rhetoric for hypertext must be prepared to thoroughly reconsider their subject and that the rhetoric of hypertext may turn out to be inseparable from the constructive process that motivates hypertext. (SR)

Compares the effectiveness of two approaches to decreasing user navigation problems in hypertext: providing maps, and constraining the hypertext structure. Finds that for learning details, linear formats should be retained; whereas for more global overall learning, a constrained structure is a good alternative. (SR)

Studies problems students face when visualizing a hypertext audience. Traces students' problems with audience analysis to three independent issues: (1) letting operational and functional levels of construction take precedence over figurative meaning; (2) confusing demands of print and oral audience expectations; and (3) conceiving of hypertext as…

Explores the software behind the interface of the programs used in composition classrooms. Places the production of software in a cultural context. Compares hypertext, structured programming, and natural-language writing. Suggests that writing instructors think about ways to customize programs used in their composition classes and to understand…

A study examined what happened when a group of adult students read a hypertext for the goal of answering specific questions. Subjects, 30 students enrolled in an upper-division psychology course at a state university in the northwestern United States, read a binary tree-structured hypertext to answer three two-part questions on the topic of…

Explores how hypertext might be used in the composition classroom to explore the gendered nature of text production. Suggests that writing multivocal hypertexts can help make students more aware of the multiplicity of their subject positions and the ways in which academic contexts try to silence those positions. Concludes by recommending such a…

Describes the emerging subject in computer technology known as hypertext by employing the metaphor of a bazaar. Claims that hypertext as a mode of communication has distinct features that will prove fruitful for future users. Discusses the importance of narrative chronology in relation to hypertext. (HB)

Discusses design issues for interactive multimedia. Notes that technical communication instructors must consider navigational aids, the degree of control a user should have, audio cues, color and typographical elements, visual elements, and copyright issues. (RS)