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Brenda Yvonne Lopez – International Journal of Qualitative Studies in Education (QSE), 2024
This paper provides an overview of a Critical Race Feminista praxis-oriented methodological framework in development called FilmCrit, and a critical race method expanded into filmic form called Cinematic Critical Race Counterstorytelling. Critical Race Feminisita Praxis informs this work by drawing on a Critical Race Theory in Education framework…
Descriptors: Critical Race Theory, Story Telling, Films, Feminism
Fedorov, Alexander; Levitskaya, Anastasia; Gorbatkova, Olga; Mamadaliev, Anvar – European Journal of Contemporary Education, 2018
Films of the "perestroika" period (1986-1991) related to school/university theme showed that: - the educational / upbringing process has lost the previous strict storylines and in many respects has lost its communist landmarks;--both school and university have acute problem areas (crisis, disappointment and fatigue, professional…
Descriptors: Films, Social Change, Social Systems, Fatigue (Biology)
Reuber, Alexandra – Journal of College Teaching & Learning, 2010
Teaching literary theory is fascinating for those who love the application of theory to a literary text, difficult for those who are of the opinion that theory destroys the actual beauty and value of the fictional source, and unfortunately often boring for those who are taught. This article, however, provides a popular approach to the introduction…
Descriptors: College Faculty, Literary Criticism, Theory Practice Relationship, Reader Text Relationship
Fulford, Amanda – Journal of Philosophy of Education, 2009
In this paper I consider one aspect of how student writing is supported in the university. I focus on the use of the "writing frame", questioning its status as a vehicle for facilitating student voice, and in the process questioning how that notion is itself understood. I illustrate this by using examples from the story of the 1944 Hollywood film…
Descriptors: Higher Education, Writing Instruction, Films, Criticism
McCreadie, Marsha – 1978
Using great literature to clarify and to improve students' writing is like using the unknown-literature to explain the only slightly less unknown--the writing of compositions. An alternative is to study films to foster an awareness of technique, for films contain many of the same rhetorical and structural devices as literature. It is possible to…
Descriptors: English Instruction, Film Criticism, Films, Higher Education
Stroud, Scott R. – 2001
Fifteen years ago, J. H. Rushing published a seminal article addressing the fragmentation within contemporary society and the ways in which myths (films) may address this exigence. The exigence of fragmentation is relieved, according to her analysis, by mediated recourse to the perennial philosophy of monistic holism that is found across the…
Descriptors: Audience Awareness, Film Criticism, Films, Higher Education
Bywater, Timothy Robert – 1974
This study deals primarily with recent academically oriented critical material, but it also embraces the range of film criticism that has been written for the mass audience in newspapers and periodicals. The study considers eight types of critical approaches to analyzing film: the journalistic approach, which contains both a reportorial-review and…
Descriptors: Analytical Criticism, Educational Research, Film Criticism, Film Study

Holtzman, Sandra – 1974
Intended as an examination of both the novel and the film, this study analyzes the themes and images of "Slaughterhouse-Five." The study is divided into three sections: a thematic analysis of the novel; an examination of the images and camera techniques in the film; and a discussion of similar themes in an effort to show how they are…
Descriptors: Film Criticism, Films, Higher Education, Imagery
Gottesman, Ronald, Ed.; Benamou, Michel, Ed. – Quarterly Review of Film Studies, 1976
The ten selections in this journal were among papers presented at two scholarly meetings on research on film conducted at the Center for Twentieth Century Studies. The papers deal with the following topics: narrative patterns in "Only Angels Have Wings"; "King Kong" and the ideology of spectacle; introducing narratology to film students via…
Descriptors: College Curriculum, Film Criticism, Film Study, Films

Shome, Raka – Communication Quarterly, 1996
Focuses on the 1992 film "City of Joy" to examine the rhetorical strategies through which "whiteness" is enacted in popular culture. Argues that an understanding of the politics through which non-white groups are culturally marginalized simultaneously requires an examination of the politics through which whites are centered and…
Descriptors: Communication Research, Film Criticism, Films, Higher Education
Garrelts, George – Momentum, 1996
Argues that films and documentaries are useful in promoting critical analysis and classroom discussion. Discusses films that are effective teaching tools. Warns that some films may provide only one side of a story, and teachers must be careful to present a balanced discussion. Includes sources for obtaining these films. (AJL)
Descriptors: Aesthetic Education, Classroom Techniques, Content Analysis, Critical Viewing
Bennett, James R.; Lindell, Richard L., II – 1977
To parallel Lester Asheim's doctoral thesis that compared the endings of 24 novels with their 1935-1945 filmed adaptations, this study examined the endings of 88 films produced between 1946 and 1977, comparing the literary endings with the filmed endings by the same criteria that Asheim used. The data indicate both similarities and differences to…
Descriptors: Comparative Analysis, Content Analysis, Fiction, Film Criticism

Crossley, Robert – College English, 1975
Successful fantasies may either force us to look freshly at everyday things or expand our capacity to believe.
Descriptors: Cognitive Processes, English Instruction, Fantasy, Fiction

Ross, T. J. – Literature/Film Quarterly, 1973
Examines several films of Francois Truffaut. (RB)
Descriptors: Analytical Criticism, Auteurism, Characterization, Films

Naremore, James – Literature/Film Quarterly, 1973
Rejects the thesis that an uncanny matchup of literary characters with their visual doubles made "The Maltese Falcon" a success. (RB)
Descriptors: Acting, Analytical Criticism, Characterization, Films