This exploratory study emerged out of my interests in dance-making and phenomenology. In order to develop a portrait of how student dance artists choreograph self-performed solos, I asked nine graduate student dance-makers to contribute accounts of their experiences. From my efforts to make meaning of the participants' experiences, a composite…

Tested the mastery hypothesis as an explanation for the affective benefits of acute exercise. Undergraduate women from a self-selected aerobic dance class rated their exercise performance following class. Affect questionnaires were completed before and at 5 and 20 minutes after the class. Results showed an overall improvement in affect following…

The purpose of this study was to discuss the dance technique class experiences of students in a university dance program. Working within a post-positivist methodological framework, I interviewed five university dancers. Using the lenses of phenomenology and hermeneutics, I compared and contrasted the women's stories with each other's and my own.…

The author has spent six years teaching dance and movement to grades pre-kindergarten through fourth at an independent school in New York City. For five of those years, the author has had the privilege of hosting student teachers from New York University's Dance Education Program. Although the author has reflected on what the student teachers may…

Finds that, among 39 American Indian college women, those who participated in a 4-week dance education program incorporating cultural support symbols showed significantly lower posttest trait anxiety than controls but did not differ from controls in posttest state anxiety. Reports stress factors identified from subjects' questionnaire responses.…

This paper describes and discusses the interactive movement forum and the process of working on it as data itself. The paper revisits the theme of the creative process from a postmodern perspective, particularly considering creativity in relationship to women's bodies and detailing the problematic aspects of working with students in an artistic…

A college course in Queensland (Australia) brings Indigenous women into the class to teach their music and dance. Performative pedagogy involves students as audience and participants, providing opportunities to critically engage with the social, political, and ethical dimensions of power and knowledge in the university setting. Student comments…

A White Australian professor of a class on Indigenous women's dance has her Aboriginal sister-in-law conduct workshops on Indigenous dance. The classroom dynamics resulting from the complex power relationships (teacher as White woman, Aboriginal family member, and students) disturbs Western paradigms. The responsibility of "safely…

Seven articles present gender issues from a variety of perspectives, discussing a gender fair dance education program in Australia, gender issues in dance history pedagogy, women and dance performance, encouraging male participation in dance, using West African dance to combat gender issues, and gender issues across the curriculum. (SM)