Work produced during a course of study in the creative arts may differ from assessment in other disciplines in the following ways: (1) it is non-text-based: work may consist of a performance, video recording, digital or interactive work, music composition, audio recording, or physical artefact; and (2) it is creative: works demonstrate individual…

In this article I attempt to interrogate some of the issues around the assessment of live work. I use a range of theories, particularly Ranciere's notion of the "aesthetic regime" of art, to suggest a three-pronged ontological approach to assessment that seeks to avoid the dangers of Bourdieu's and Passeron's concept of reproduction, and which…

Describes the multifaceted process for assessing students over the course of their undergraduate degree work in the Department of Theater and Dance at Appalachian State University in North Carolina. (SR)

Describes the adoption of the video camera as a regular assessment and learning tool in acting classes. Finds that the camera assists in making valid judgments about student achievement if used in conjunction with clear articulation of the desired learning; the learning outcomes are sound; and the teacher is consistent in communicating the…

The grading system for technical practicums in theatre at California State University, San Bernandino uses an evaluation form completed by each student's practicum supervisor. The evaluation form gives concrete evidence that there are viable criteria for grading practicums, and also helps if a student wishes to challenge his or her grade. Usually…

Discusses the tenure evaluation guidelines developed by the United States Institute for Theatre Technology (USITT). Expresses concern over the widening split between theater technologists and the actors, directors, and designers they support. (MM)

This paper summarizes four years of experience in student evaluation of the cocurricular production program of the Department of Theatre Arts at the University of Kentucky. The data gathering had two goals: generating data that would be useful in the evaluation of theatre faculty during the annual merit-evaluation process and generating data that…

The Communication and Theatre Arts Department at Heidelberg College (a private liberal arts college in northwestern Ohio) developed a departmental assessment plan. The department faculty began by working to establish "exit criteria" during an all-day meeting. Unlike other disciplines, communication has no standardized tests and…

Methods for evaluating the creative endeavors of performing artist-educators in the academic setting are suggested in this paper. The following topics are discussed: the problems involved in evaluating artist-educators with an academic yardstick; factors that cause problems in evaluating performing artist-educators' work; the need to educate…

A computer assisted system called PEERRATE was used in a theater history course at Rutgers, the State University of New Jersey in Newark, in fall 1980, in order to give students an opportunity to anonymously grade one another's written work and to compare their own ratings with those of fellow students and the instructor. The PEERRATE system is a…

The theme of this special journal issue is theatre administration. The journal is divided into four parts: a short introduction and three major sections on the role of the theatre chair, theatre administration in the 1980's, and evaluating creative work. Among others, topics covered in the issue's 13 articles include (1) the changing nature of the…

Explores whether focusing the attention of evaluators on students versus the teacher would affect the assessment of teaching in choral rehearsal situations. Music education majors used 10 categories to rate the teacher or students. Reveals that subjects gave the highest ratings when viewing the teacher and the lowest ratings when viewing students.…