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O'Mahony, Catherine, Ed.; Buchanan, Avril, Ed.; O'Rourke, Mary, Ed.; Higgs, Bettie, Ed. – National Academy for Integration of Research, Teaching and Learning, 2014
The 6th Annual Conference of the National Academy for the Integration of Research, Teaching and Learning (NAIRTL) and the 4th Biennial Threshold Concepts Conference was held at Trinity College Dublin, Ireland, on June 27-29, 2012. The NAIRTL is a collaborative initiative between University College Cork, Cork Institute of Technology, National…
Descriptors: Fundamental Concepts, Higher Education, College Instruction, Learner Engagement
Peer reviewed Peer reviewed
Beittle, Kenneth R. – Art Education, 1990
Describes how Zen and the art of pottery expand into a Great Tradition where the potter dreams his forms in a realm of imagination between sense and mind. Explains how decoration plays a vital role connecting art and our life-world. Outlines how students need a decade to reach this spiritual level. (KM)
Descriptors: Art Activities, Art Education, Art Expression, Art History
Coughlin, Ellen K. – Chronicle of Higher Education, 1987
Art historians are saying that while art outside the mainstream challenges many usual assumptions about art history, more attention should be given to nontraditional art genres such as graffiti, folk art, children's art, prehistoric cave paintings, and the art of the insane. (MSE)
Descriptors: Aesthetic Values, Art Appreciation, Art History, Art Products
Peer reviewed Peer reviewed
MacDonald, Stuart Wyllie – Scottish Educational Review, 1995
Describes the career of Scottish artist and art educator William Johnstone (1897-1981) and how his achievements, which are traced to 20th-century modernism, have influenced both art design and childrens' art education. Concludes that through Johnstone, progressivism in art and education converged, producing a model for creative expression in art…
Descriptors: Art Education, Art History, Art Teachers, Artists
Peer reviewed Peer reviewed
Cunliffe, Leslie – Journal of Art and Design Education, 1990
Presents an art education model based on Elliot Eisner's three-domain model, emphasizing students' concept ownership and skill development. Criticizes late-modernism influenced practices, arguing creativity can be achieved only through tradition. Diagrams relationships between what art students learn in college and how they later teach. (KM)
Descriptors: Art Education, Art Expression, Art History, Art Teachers