Theatre for Development is one of the most dynamic and controversial theatre movements on the global South. Emerging in Southern Africa in the 1970s to address social and economic problems using theatrical techniques, today it is taught in theatre departments across sub-Saharan Africa and employed in numerous contexts from health care to…

This book presents a wide range of international perspectives that explore the different ways the diverse forms of drama supports learning in science. It illustrates how learning science by adopting and adapting theatrical techniques can offer more inclusive ways for students to relate to scientific ideas and concepts. The theatrical processes by…

This article is an autoethnographic account of my journey from theatre stage manager to academic stage manager. Performing arts education and training in Higher Education is a diverse field, ranging from small private institutions to large research lead universities. Professional practitioners (performers, stage managers, technicians, designers,…

This article focuses on how ableist discourses and practices seek to "normalize" the disabled body which is deemed to be "deviant". This leads to acts of normalization that expose disabled bodies to precarity, conceived here as the lived experience of marginalization, ostracism and vulnerability. Using the case study of a…

This article reflects on ongoing research-led teaching in the area of creative industries in higher education. Specifically it reports on key work-integrated learning strategies designed to better prepare graduates for the employment sector. The creative industries sector is complex and competitive, characterized by non-linear career paths driven…

This study intended to identify commonalities of fine arts programs at selected private liberal arts colleges and universities in order to ultimately develop an exemplary fine arts program in a similar setting. This study searched for answers to three research questions within the context of art, music, dance, and theatre. The first research…

This article examines the role of theatrical performance as a means of addressing the embodied and spatio-temporal manifestations of race and racism within South African higher education. As part of Jansen's proposal for a post-conflict pedagogy in South Africa, the article argues for the development and inclusion of embodied knowledges as an…

Mission statements of Christian institutions of higher education often include the purpose of forming individuals to live out their Christian commitments in larger society. This article presents the case that including theater in Christian higher education prepares students to further God's kingdom in this world after graduation--whether or not…

This case study is one of twenty cases derived from Anderson and Risner's international study of teaching artists in dance, and theatre, which investigated participants' (n=172) artistic and academic preparation in dance, and theatre, initial entry into the teaching artist field, rewards, challenges, and obstacles in participants' work, artists'…

Describes the Empire State Institute for the Performing Arts, the first state-mandated educational theatre for children in America, established for the youth and educators of New York State. (PD)

Describes an experimental effort to halt declining enrollments in a speech and theatre department. (MH)

Offers a case study of an African American college student's involvement in theater. Describes her experiences in high school and university theater programs and the meanings she made of those experiences to reveal her concept of ethnicity. (SR)

Focuses on the extent to which state action may restrict nudity in university theatres. (MH)

The National Communication Association's Assessment Packet identified divisions between and among sub-fields of communication as threatening the viability of departments on many campuses and possibly even the integrity of the discipline. In 2000 James Applegate advocated in "Spectra" the importance of unity for developing a strong…

Describes aspects of a research project which, investigated how drama and theatre were used to explore the space that is emerging through the interaction of Maori and Pakeha cultures in New Zealand. Discusses two case studies: a project that used the arts as a catalyst to explore cultural difference, and an account of reflective practice in a…