Publication Date
In 2025 | 0 |
Since 2024 | 0 |
Since 2021 (last 5 years) | 0 |
Since 2016 (last 10 years) | 1 |
Since 2006 (last 20 years) | 3 |
Descriptor
Attention | 3 |
Higher Education | 3 |
Statistical Analysis | 3 |
College Students | 2 |
Foreign Countries | 2 |
Undergraduate Students | 2 |
Age | 1 |
Attention Control | 1 |
Auditory Discrimination | 1 |
Brain | 1 |
Brain Hemisphere Functions | 1 |
More ▼ |
Author
Algom, Daniel | 1 |
Amit, Elinor | 1 |
Geringer, John M. | 1 |
Kershner, John R. | 1 |
MacLeod, Rebecca B. | 1 |
Scott, Laurie | 1 |
Trope, Yaacov | 1 |
Publication Type
Journal Articles | 3 |
Reports - Research | 3 |
Education Level
Higher Education | 3 |
High Schools | 1 |
Postsecondary Education | 1 |
Audience
Location
Canada (Toronto) | 1 |
Israel | 1 |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Kershner, John R. – Journal of Learning Disabilities, 2016
Rapidly changing environments in day-to-day activities, enriched with stimuli competing for attention, require a cognitive control mechanism to select relevant stimuli, ignore irrelevant stimuli, and shift attention between alternative features of the environment. Such attentional orchestration is essential to the acquisition of reading skills. In…
Descriptors: Higher Education, College Students, Dyslexia, Disabilities
Amit, Elinor; Algom, Daniel; Trope, Yaacov – Journal of Experimental Psychology: General, 2009
A series of 8 experiments investigated the association between pictorial and verbal representations and the psychological distance of the referent objects from the observer. The results showed that people better process pictures that represent proximal objects and words that represent distal objects than pictures that represent distal objects and…
Descriptors: Attention, Psychology, Experiments, Pictorial Stimuli
MacLeod, Rebecca B.; Geringer, John M.; Scott, Laurie – International Journal of Music Education, 2009
The purpose of this study was to investigate listener discrimination of orchestral performances and to ascertain focus of listener attention to technical and expressive music elements of those performances. High School (n = 84) and University (n = 84) music students listened to four orchestral excerpts: two slow/soft excerpts and two fast/loud…
Descriptors: High Schools, Music, Higher Education, Program Effectiveness