Describes an attempt to use two theories of literary criticism as a research strategy for interpreting art. Paul Ricoeur's interpretation theory and Northrup Frye's Anatomy of Criticism were adopted as approaches to the problem of understanding religious or mystical paintings by Norman Adams. (AM)

Focuses on making the distinction between aesthetics and pragmatics within the realm of design education, particularly architecture. States that aesthetics is typically associated with beauty, while pragmatics is a way to demonstrate that a frank approach has been utilized. (CMK)

This paper reviews some of the recent research relative to the thoughts and writings of the English art critic, Clive Bell, one of the leaders in British art criticism for the first part of the 20th century. Bell's conception of "art as significant form" is considered with specific reference to the following educators: (1) Roger Fry and…

This study is both an interpretation and a translation of three modern Japanese plays, providing an artistic perspective on the radical reordering of experience and thought with which modern man must grapple in cross-cultural encounters. An introductory essay prefaces each play, providing a historical, critical, or appreciative perspective from…

In a sample of 767 freshmen at the University of Minnesota, those with low principled morality scores compared to those with high scores had lower mean contemporary-cultural, artistic, literary, and academic-conceptual precollege experience score. (Author/LBH)

Examines postmodernist art and its impact on architecture and visual art in the United States. States that this genre of art has affected dramatically object art, such as furniture design. Contends that postmodernism can be traced through societal and personal histories. (CFR)

Discusses the concept of quality in art from the standpoint of the theory of mediation. Traces the idea of quality from Aristotelian criticism to Gagnepain's theory of mediation. Concludes that mediation aesthetics seek inspiration and quality only from the art work, not its contemporary meaning. (CFR)

Considers the true value of art by outlining a number of factors that determine the price of a painting including the fame of the artist, the time of the artist's death, and the age of the work. Concludes that students should be encouraged to consider the emotional, aesthetic, and intellectual worth rather than the monetary value. (KM)

Addresses the reasons why students resist learning about modern art within humanities courses. Provides strategies for encouraging students to appreciate and critique modern art, such as using comic strips to illuminate beliefs about modern art, studying the theory and practice of a particular artist, or utilizing group critiques of an artwork.…

Addresses the issue of the fame of Leonardo da Vinci's "Mona Lisa." Describes several kitsch objects that have been created about the painting. Maintains that students need to address this issue otherwise such exploitation will depreciate the value of the art work. (KM)

Proposes a definition of art criticism and claims that art criticism can never be a neutral activity. Examines reasons and provides examples of value orientations. Suggests a method for criticizing art in an educational context. (CFR)

Defines aesthetics when framed as critical inquiry as the process of teaching students to use critical strategies of professional philosophers to develop aesthetic content. Addresses four major aesthetic issues: meaning and value in art, how to discuss art, aesthetic experience, and beauty. Presents a sequence of critical-inquiry activities. (CMK)

Describes "the world of the work" as the state of affairs an artist projects, including what is suggested and inferred as well as what is represented directly. Discusses how teaching "the world of the work" concept to preservice art teachers enables them to access the representational content of artworks. (CMK)

An honors seminar at Bloomsburg University (Pennsylvania) investigated the story of Jesus as it has evolved in different media over nearly two millennia. Initially the students studied two gospels with contrasting versions of the life of Jesus, in order to explore the process whereby oral material is transcribed into written form by different…

Describes a game designed to motivate students to conduct art historical research. Required students to find artists who created art in four different ways, realistically, intellectually, emotionally, and spiritually. Students chose ways to take collected data and work cooperatively to create a mural. (KM)