Describes the history and the recent transformation of The New Victory Theatre in New York City with plans to make it into the city's first performing arts institution devoted exclusively to young people and family audiences. Lists plans for various programs, including educational programs for teachers and students. (CR)

Notes a resurgence of interest and practice in participational theater. Explains that playwrights, directors, and theater educators have begun to ask questions and seek information about available scripts and guidelines for creating new works. Includes edited remarks by six practitioners who talked about their experiences with participation…

Describes the author's experiences directing a play translated and acted in Korean. Notes that she had to get familiar with the sound of the language spoken fluently, to see how an actor's thought is discerned when the verbal language is not understood. Concludes that so much of understanding and communication unfolds in ways other than with…

Reproduces a conversation among playwrights, directors, and dramaturges participating in the Bonderman/IUPUI (Indiana University Purdue University at Indianapolis) experience. Features their answers to six questions regarding new play development, its focus, and influence on the world of theater for young audiences. (PA)

Describes an example of intergenerational theatre--the annual production at the Blue Ridge Dinner Theatre, Ferrum College, Virginia. Notes that in addition to four plays for adults, one play is for family audiences and includes area children. Suggests the program offers patrons quality entertainment, gives unique experience to area children, and…

Examines ideological implications of the term "outreach" and explores the author's personal reflections and dilemmas regarding the ideological underpinnings of educational outreach around productions of theater. (SR)

Recounts how attendance at an international theater festival in Scotland brought unexpected stimulation for one teacher. Cites several examples of imaginative productions with minimal sets and lighting but in which the actors brought the texts to life and provided inspiration for festival attendees. (PA)

Discusses development of the American Alliance for Theatre and Education's Think Tanks on Theatre Teacher Education. Notes the think tanks were intended to probe important issues, move to a new level of thinking, and hopefully, effect change in individual and collective practice of theatre teacher education. (SG)

Relates an interview with the actor Tony Randall, 1995's Honorary Chairman for Theater in Our Schools Month. Chronicles his decision to act at 12 years of age, his acting studies, and his professional life to the present. Presents his opinions--for example, that the arts in schools are important, in accordance with the Goals 2000 Act. (PA)

Discusses complex struggles that occurred when attempting to negotiate a development agenda for a drama workshop involving people with mental health problems. Notes that the context of the intervention was "highly problematic." Suggests that for substantial change to take place the project worker and participants need an agenda of…

States that whenever people interact, they use labels to interpret the actions of others within a social context. Reviews data gathered in a previous study as to perceptions of labeling by a black student in a white school. Discusses the use of "raceless" labels. Concludes that discussion is necessary to fully implement the ideas of…

Describes the ongoing work of a teacher whose Summer Institute for Drama/Teacher Education at the University of Tennessee provides training for both theater and classroom teachers. Focuses on her teaching method--improvisational drama--which simultaneously addresses elements common to fiction and script writing, and now contained in the language…

Describes the childhood experience of seeing the play "The Rainmaker," and its lifelong effect on the author, and other personal experience stories. Suggests that theater teachers should share stories of their positive teaching experiences with their fellow teachers. Promotes personal storytelling as a part of drama-teacher preparation. (CR)

Examines "Theater-in-Education," (TIE) a unique British-inspired teaching-and-learning methodology which combines young people's theater with creative drama, currently taught at a handful of universities in the United States. Finds that, as a result of the program's tour to 10 fifth-grade classrooms in five schools, area teachers were unanimous in…

Offers reflections on how people share their cultures as they enter the new millennium, based on the author's two trips to Asia where she lectured and led drama workshops on drama education and theater for youth. Outlines seven steps to take toward reaching goals in the field of theater for young audiences and drama/theater education. (SR)