Offers a narrative of the collaborative creation of a HyperCard hypertext called the E.A.R., and describes how the ideas developed in that project were adapted into a first-year composition course. Hopes to gain insight into both the larger aims of the border crossings central to bell hooks' ongoing project and the more local goals of hypertext…

Studies problems students face when visualizing a hypertext audience. Traces students' problems with audience analysis to three independent issues: (1) letting operational and functional levels of construction take precedence over figurative meaning; (2) confusing demands of print and oral audience expectations; and (3) conceiving of hypertext as…

Explores the software behind the interface of the programs used in composition classrooms. Places the production of software in a cultural context. Compares hypertext, structured programming, and natural-language writing. Suggests that writing instructors think about ways to customize programs used in their composition classes and to understand…

Discusses Julia Kristeva's notion of text--the tension between the semiotic and the symbolic--and how the tension can be made visible through typeface variation and other shaping techniques possible with word-processing software. Shares ways the author encourages students in first-year English classes to explore possibilities for incorporating…

Explores how hypertext might be used in the composition classroom to explore the gendered nature of text production. Suggests that writing multivocal hypertexts can help make students more aware of the multiplicity of their subject positions and the ways in which academic contexts try to silence those positions. Concludes by recommending such a…

Describes the emerging subject in computer technology known as hypertext by employing the metaphor of a bazaar. Claims that hypertext as a mode of communication has distinct features that will prove fruitful for future users. Discusses the importance of narrative chronology in relation to hypertext. (HB)

Notes new Internet writing environments differ significantly from print forms: they allow texts to evolve--to change their purpose and audience over time. Suggests they allow for new forms of collaboration--texts organize themselves without an omniscient editor shaping them. Concludes that, as a profession, composition instructors need to…

Suggests the electronic classroom provides a space for applying feminist ideas to a theorization of hypertext. Explores the potential for hypertext to interrogate dominant ideologies and to produce alternative knowledge. Uses feminist activist art as a model, and takes advantage of the way hypertext enables combination the best of both modern and…

Theorizes that three features of electronic texts have changed writing and writing instruction: the creation of a seamless flow of text, word publishing as a rhetorical act, and hypertextual writing and thinking. Discusses implications for how teachers read, respond to, and evaluate student writing. Stresses importance of linking writing…