This essay describes a method of teaching a very challenging anthology piece: Laura Kipnis's "Love's Labors" (chapter 1 of her 2003 "Against Love: A Polemic"). The method, although designed for a critical thinking course, should also provide resources for those who teach Kipnis's work in writing courses. Using…

Communication has always been at least partly a visual experience--insofar as the speaker's appearance on a stage or the text's appearance on the page. Certainly, however, the experience is becoming more and more visual. Thus, equipping students with the tools necessary to analyze and evaluate the visual rhetoric that surrounds everyone is a task…

In this article, I demonstrate how the use of reflective writing assignments in first-year composition facilitated students' understanding of their own writing process strategies. I first discuss the theoretical roots from which reflective practice among student writers grows. Next, I employ my students' voices to demonstrate that reflection…

Integrating writing instruction into the content-area classroom poses a variety of challenges for instructors at all levels. Beyond the need to embrace a new skill set involving writing instruction, there is the resistance of students (and faculty) who find a disconnection between content-area and literacy learning. Developing a method for…

Amy Lynch-Biniek begins by introducing popular yet controversial concepts presented in the Gerald Graff and Cathy Birkenstein's "They Say / I Say: The Moves That Matter in Academic Writing" (NY: Norton & Company, 2006). As stated in the book's introduction, the goal of Graff and Birkenstein's text is "to demystify academic…

The author has been tutoring and teaching writing for fifteen years, but has discovered that few people outside of academia know what it is that she does. Despite the rise in composition graduate programs and the improving market for composition specialists, even within the university, faculty from other disciplines frequently have vague notions…

Discussions of English department identity and mission more often center on the undergraduate major curriculum than on classes for general-studies and other non-major students. In such courses, though, educators have an opportunity to touch the intellectual lives of far more people than they do in courses for majors. The author argues in this…

Presents a compilation of classroom writing strategies designed for students and selected from readings and classroom experiences. (RS)

For several years a number of instructors at the University of Cincinnati have experimented with the concept of problem-based learning (PBL) in their composition courses. The concept, rooted as it is in Socratic method and the hands-on problem-solving advocated by John Dewey, is not new, and though some of its applications may call for adjustments…

This article reports on a challenging and effective assignment on thinking in a discipline that the author gave during fall 2006 in his sophomore-level "Critical Reading, Thinking, and Writing" (CRTW) course at Winthrop University. Required of all students, the course follows Writing 101: Composition; and a multi-disciplinary course…

Argues that literature classes will grow more interesting and more effective if educators coordinate two kinds of emphases: allowing for discovery and moving toward productivity. Offers four principles for developing assignments: respect the process; nourish the participants; aim for a variety of products; and reflect together on process,…

Describes a freshman composition course which employs problem-solving exercises as a writing improvement technique. Notes that sharing ideas while solving problems builds new writers' openness and trust, whereas thinking aloud prepares students to benefit from other writers' thinking protocol methods. Suggests that brainstorming can help students…

Calls for writing instruction that leads students to realize that meaning depends upon context and perspective. Describes a course in which students "problematize" and write about issues within literary works. Explains that students observe visual artworks which serve as companion pieces to the literary works and to students' own compositions…