Sustainable education and teaching excellence in Egypt remain significant challenges due to the persistent reliance on conventional and theoretical curricula, highlighting the dire importance of innovative practices for educators. Specific education should be encouraged at higher education levels, particularly in educational media. However, its…

Adelaide College of the Arts is a 20 year old, purpose-built hub of technical performing arts training in South Australia. Its performing arts training is made up of specialisations in technical theatre and design, dance and acting practicums. They represent an example of a learning ecology whereby emergent cultural products and processes are…

The research behaviors and library use of dance scholars are widely unknown, particularly in regard to issues of access to historical materials and new technology preferences. In the past thirty years, college and university dance departments in the United States have developed into independent, research-based programs. Despite the lack of current…

This article presents an overview of NGT performing arts in the Netherlands through the life and work of poet Wim Emmerik. Neder landse Gebarentaal (NGT) is the Dutch name for Sign Language of the Netherlands. Drawing from ethnographic research, performance samples, and interviews of performing artists, educators, and researchers, this article…

This study of the professional touring performing arts during the 1976-77 season sought to determine how the performing arts are programmed and funded by college and community organizations. The questionnaire, which is appended, was mailed to all institutional members of the Association of College, University, and Community Arts Administrators.…

Describes the history and current state of special courses to prepare librarians for work with performing art collections. Results from a survey of library educators and theater librarians indicating mixed feelings about such courses are discussed, and the survey questions are appended. References are provided. (BK)

Presents the text of an interview with Robert Brustein, Dean of the Yale School of Drama and Artistic Director of the Yale Repertory Theatre from 1966 until 1979. Discusses his work with experimental theater at Yale and the place of theater and drama in the university and society. (PD)

Methods for evaluating the creative endeavors of performing artist-educators in the academic setting are suggested in this paper. The following topics are discussed: the problems involved in evaluating artist-educators with an academic yardstick; factors that cause problems in evaluating performing artist-educators' work; the need to educate…

A computer assisted system called PEERRATE was used in a theater history course at Rutgers, the State University of New Jersey in Newark, in fall 1980, in order to give students an opportunity to anonymously grade one another's written work and to compare their own ratings with those of fellow students and the instructor. The PEERRATE system is a…

A study of the general working conditions, financial status, performance opportunities, funding, and work practices of choreographers in New York City, Chicago (Illinois), San Francisco (California), and Washington, D.C. was conducted in order to develop benchmark statistics. These statistics focus on the national choreographer population and…

The sources and nature of conflict/accord between the artist role and the three primary roles that the artist confronts in the university--teaching, research, and the faculty role--were investigated. For comparison purposes, faculty members in the humanities fields were interviewed in addition to the full-time faculty members who were also…

In 1991, the Florida State Community College System conducted a statewide review of its visual and performing arts instructional programs. As part of the review process, existing data sets were analyzed, three advisory committee meetings and five regional hearings were held, and a survey was distributed to all 24 colleges in the system. In…