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Marquis, Alice Goldfarb – 1997
This paper recounts the history of jazz music in the United States and its passage from despised, marginal entertainment to the solid respect conferred by academe. The author asserts that such respect has little to do with music and a great deal to do with class, race, jobs, and money. The first extracurricular college jazz band at North Texas…
Descriptors: Higher Education, Jazz, Music, Music Activities
Nerheim, Rosalee – 1979
The Music Information System for Theorists (MIST) allows musicians to find pedagogical music excerpts with ease and speed. Users may search for excerpts using as keys composer, date, and/or musical concept exhibited. The desired excerpts are printed in conventional music notation or output in MUSTRAN code via the Indiana University Computer Music…
Descriptors: Computer Programs, Higher Education, Information Retrieval, Information Systems
Rees, Mary Anne – 1986
A survey was conducted to determine the ways in which various factors help in the achievement of status for the three types of music faculty (performance, theory and history, and music education). A questionnaire was sent to 207 full-time music faculty members in six state-supported university schools/departments of music. A response rate of 54.6%…
Descriptors: Academic Rank (Professional), College Faculty, Higher Education, Music Education
Peer reviewed Peer reviewed
Mito, Hiromichi – Bulletin of the Council for Research in Music Education, 1997
Explores whether the tsumari phenomenon appears in the performance of keyboard instruments and maintains that tsumari will be severe among subjects with little music training. Finds that tsumari was seen most conspicuously in this beginner group. Concludes that the structural arrangement of the music plays an important role in the tsumari…
Descriptors: Children, Educational Research, Foreign Countries, Higher Education
Peer reviewed Peer reviewed
Thorisson, Thorir – Bulletin of the Council for Research in Music Education, 1997
Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…
Descriptors: Classical Music, Classification, Educational Research, Evaluation Criteria
Woodruff, Ernest R.; Heeler, Phillip J. – 1993
One component of a model of creativity, the application of an understanding of elements, was explored through a study of college students applying their understanding of such musical elements as harmony, melody, rhythm, timbre, and dynamics. The 24 subjects were students in a music appreciation class, and the project was implemented using a…
Descriptors: College Students, Computer Assisted Instruction, Computer Software, Creativity
Peer reviewed Peer reviewed
Auh, Myung-Sook – Bulletin of the Council for Research in Music Education, 1997
Determines the best predictors of compositional creativity among a set of selected variables for upper elementary students in order to demonstrate the importance of students' musical experiences outside of school. Finds that the best predictors were musical achievement and academic grades, while the strongest predictor was informal musical…
Descriptors: Aptitude, Creativity, Creativity Research, Elementary Education
Binder, Daniel A. – 1989
The American Studies curriculum in institutions of higher education has traditionally neglected music. Many programs do not include music as a component, and often there is not a single course on U.S. music taught in the music department. The apparent lack of interest on the part of musicologists reflects an attitude that tends to denigrate the…
Descriptors: American Studies, College Curriculum, College Instruction, Cultural Influences