The introduction and use of various forms of technology have been noted by historians of music education as significant influences on the ways in which music education has developed. In contrast to general computer-based technology, specific types of computer-based technology have strong relevance to the learning and teaching of music and other…

Directors of plays can make rehearsals interpretively productive, but they must first reject directorial approaches such as beginning rehearsals without analyzing the script, projecting images of the play as it is read, and using the script merely to summarize meanings, static themes, morals, and nothing more. Making rehearsals interpretively…

Divides collegiate theater instruction into four phases: between 1900 and 1925, between 1925 and 1945, from 1945 through the mid-70s, and from the mid-70s until today. Reviews research about each era. (PA)

Dramatic theory in the past has been confused with hypothesis, hunch, manifesto, and observation. It is, in fact, a scientific activity--much like theorizing in physics, human society, or art. The current state of the art of theory in the drama classroom faces many problems. Most theatre faculty offer courses called "Theory and…

This paper explains how cultural life in Germany is shared through public funding and support. Since culture is commonly accepted by Germans to be vital to the psychic health of the nation, public funding of culture is not a controversial issue. The expression "cultural federalism" is frequently used to describe the way in which…

In spite of the importance of the one-act play as an art form and as a tool for teaching playwriting, authors of playwriting texts have devoted little space to the study of the form. Because of this neglect, there is no definition of the form that is simple and specific enough to undergrid efforts to teach or write it. In the absence of a solid…

Standards should be established for professional dance curricula in higher education. Courses in dance history, dance philosophy, dance notation, music for dance, kinesiology as applied to dance, and dance theater design and production should be taught by a core of experts. (CJ)

Affirms the value of liberal arts in educating the mind. Examines the literature of oral interpretation and theatre arts from 1960-82, discussing themes, research problems and needs, trends and directions. Notes, among other conclusions, that the nature of classroom practices in oral interpretation and theatre arts needs study. (PD)

Suggests that (after a brief survey of social science and educational journals) the issue of cultural diversity is a topic of considerable importance and difficulty, not admitting of ready solutions. (SR)

This essay uses the concept of the constellation to characterize the relations among interdisciplinarity, cultural memory, and comparative literature. To do so entails: (a) reviewing the paradoxical interdisciplinarity of comparative literature, (b) tracing its establishment at a liberal arts college (Bryn Mawr College, USA), and (c) describing a…

This paper (1) examines textbooks in group performance of literature to determine how they describe the use of stage light in production; (2) explicates the four qualities and five functions of stage light; (3) explicates the four structural tensions of a text as defined by J. H. Maclay (1972); (4) considers their application to the production of…

Examines the social construction of "childhood" and of "children" within two important theoretical texts published in the 1950s: Isabel Burger's "Creative Play Acting: Learning through Drama" and Charlotte Chorpenning's "Twenty-One Years with Children's Theatre." Finds several interrelated constructs,…

This literature review is an essential resource for anyone involved in the research, theories, or methods and practices of arts integration. It covers what has been written between 1995 and 2007 in the U.S. and abroad and includes an historical overview, definitions and theoretical frameworks for arts integration, research and evaluation studies…

Although the situations in which and for which drama teachers are trained vary widely, six principles can be applied to virtually all drama education programs. First, drama teacher education must be based upon the contexts in which the students will be teaching. Second, drama teacher education should be based upon the interpersonal skills both of…

Statistics reveal that only 11% of the 1,500 theatre administrators on United States college campuses are women. On the other hand, recent surveys have indicated that few women are actively seeking administrative positions. The situation is unfortunate since campus theatres and institutions of higher education need highly qualified, capable…