The first three chapters of this study on stage movement trace the emerging influence upon men of the theatre of "commedia," the Orient, and various psychologically-based therapies. The focus then shifts to what is currently being employed to train actors in this country. Using primary sources, eight schools (the Julliard School, the…

This study is the last in a series of explorations, conducted during the period from 1969 through 1972, into the applicability of group training to theatre at the University of Utah. The experimental group, which consisted of the 1971 and 1972 University of Utah Shakespeare Players, were compared to two control groups. Two personality measures…

This investigation examines the historical influences on the New Theatre in terms of a figural tradition and suggests that the New English may also be analyzed in terms of a figural tradition. In part 1, a new theory of the "historical figura" is proposed. The first chapter describes the origins of the "human figura" in…

This dissertation explores techniques that assist actors in getting their minds and bodies out of the way through consciousness-expanding. The techniques examined here attempt to promote a permeability, a childlike quality of presence, and are largely drawn from Eastern philosophies. Part one of this dissertation discusses structural integration,…

The purpose of this study is to describe Readers Theatre as it existed from the 1967-68 school year to the 1971-72 school year. Studying the data drawn from the questionnaires sent to educational directors and concert managers led to the following conclusions, among others: educational directors have been influenced by materials originated and…