The author pushes two desks together in the front of the class and pile supplies on them: markers, drawing paper, rulers, and pencils. As the students enter a combined English language arts (ELA) and English as a New Language (ENL) tenth-grade classroom, they select what they need and settle in to their work. As an ELA educator who is also a…

Argues that lists of great books ought to reflect both the comic and tragic sides. Discusses problems of censorship and of translation when presenting comic works to classrooms full of teenagers. Describes how the author approaches the teaching of Aristophanes'"Lysistrata," offering students a bowdlerized text and inviting them to improve it. (SR)

Argues that using parallels between popular culture and the classics in literature brings greater understanding and appreciation of literature to students. (RL)

Describes how high school students can give J. Alfred Prufrock (from T.S. Eliot's serious poem "The Love Song of J. Alfred Prufrock") a "makeover" so he can acquire more self-confidence. Shows how this makeover exercise can lead students to a deeper general understanding and appreciation of complex literary characters and of a…

Points out the importance of making students aware of the role stereotypes play in literature and popular culture. Examines several examples of sex stereotypes found in literary classics and offers suggestions for dealing with them. (JL)

Describes a high school elective English course that matches books of American Literature, at least one classic and one contemporary, so that students can begin to see the patterns. Discusses some of these pairings, such as Hawthorne's "The Scarlet Letter" with Toni Morrison's "Beloved" and B. Mukherjee's "The Holder of the World." (SR)

Presents a high school student's description in class of her deep connection to Hester Prynne in Nathaniel Hawthorne's "The Scarlet Letter," and how it offers a glimpse of the vast interior lives of women. (SR)

Recounts how an experience in a high school English class convinced a teacher that he wanted to teach literature and taught him the proper attitude toward the teaching of the classics. (JL)

Describes an efficient, open-ended set of instructional activities for high school students that has students analyze song lyrics of R.E.M. (an alternative rock band from Athens, Georgia) for literary techniques, topics, themes, and form as preparation to experiment with reading, deciphering, and mimicking Emily Dickinson. (SR)

Offers observations on the author's experience of the past two years as she returned to teaching high school English after over 20 years of training adults in business in government to improve their writing. Reflects on the differing demands of these work environments, and on how the canon itself and approaches to teaching classics have changed…

Reports on ways of having fun with the classics of literature. Describes classroom uses of parody and satire to emphasize the themes and characterizations found in Shakespeare, J.D. Salinger, Ernest Hemingway, and other noted authors. (RL)

Describes a unit wherein students reading "The Odyssey" produced visual representations of important story elements, considered differences in Homer's use of language and their own, enacted scenes from "The Odyssey," and wrote goal-setting and interpretive essays. (NH)

Reports on a survey of nearly 300 high school seniors asked to reflect on their reading experiences, both inside and out of school. Demonstrates that students find assigned reading, especially Shakespeare and Dickens, unrewarding and painful. Discusses problems and solutions of contemporary teaching methods. Suggests that students be given a…

Describes an individualized instructional unit on Mark Twain's "The Adventures of Huckleberry Finn" that focused on students' responses to the novel's plot, character, theme, and structure. Reports that students wrote good quality essays, performed well on a test of the novel, and engaged in serious discussion of the novel during student…