Uses a photograph of Michael Heizer's earthwork sculpture "Double Negative" to encourage students in grades 4-6 to discuss ways in which an artist may communicate ideas by creating ultra-large "landscape sculptures." Provides student objectives, background information on the artwork, instructional strategies, and evaluation criteria. (GEA)

Using Tony Berlant's 1982 collage entitled "I," this lesson introduces students in grades four through six to the variety of materials artists can use when making a collage. (BSR)

Observations of each child (n=24) in two sixth grade art rooms in Ankara, Turkey, and the building by students of 1/20 models of ideal art rooms found three elements of creativity (person, process, and product) were significantly different from each other. Process and product occurring within the same environment were highly correlated with each…

Presents a lesson on John F. Peto's 1904/1906 painting "A Closet Door." The lesson is intended to introduce students in grades four through six to still life painting. (JDH)

Described is an art activity in which sixth graders were asked to draw something that they hear. The children created aural pictures that were truly inventive personal interpretations. (RM)

For one instructor, years of working with children in the art classroom suggested that talking with children is necessary and vital to understanding how they learn artistically and how to teach them. This paper focuses specifically on children's talk about their art in relation to the children's view that their world is separate and distinct from…

Provides a lesson to familiarize students in grades four-six with the many ways that artists use the technique of collage. Students observe and discuss ways artists make use of materials other than paint on canvas. Examines how the introduction of foreign materials to a surface affects the illusion of space. (LS)

This study was done to see if sixth grade students could improve their drawing abilities by looking at lines more abstractly--by drawing a picture viewing the original upside down and comparing it to the same student's drawing done viewing the original right side up. Pairs of works were scored on the basis of line quality, proportion, and likeness…

Relates the experience of sixth-grade students who created a mural of the rain forest on a school wall. Describes the process of choosing a theme, researching the theme, designing the composition, and painting the mural. Uses the team approach to foster cooperation and peer learning during the project. (DSK)

Discusses an art project in which sixth grade students design alphabets by transforming the shapes of the letters into new designs that are still recognizable. Explains that students brainstorm ideas for their own lettering style. (CMK)

Presents a lesson plan which uses "Water," by Iri and Toshi Maruki, to provide students in grades 4-6 with an approach to artwork which deals with devastating current events. Students explore artistic collaboration, Japanese beliefs, contemporary conflicts, and contradictory meanings in images. Includes background information,…

Uses a print of Homer's painting, "The Fox Hunt," to introduce students in grades 4-6 to paintings of wildlife as both factual record and as a storytelling medium. Includes learning objectives, instructional strategies, and background information on the artist. (GEA)

Describes how a sixth grade class constructs wooden sculptures of people from scrap materials after viewing similar work by Pablo Picasso. Maintains that a limited budget does not limit childrens' imaginations. (KM)

Recounts the creation by fifth- and sixth-grade students of their own personal "molas," based on the fabric art form of the Cuna Indians of the San Blas Islands off the coast of Panama. Tells how students created their designs based around a central image surrounded by geometric patterns and colors. (DSK)

Discusses Vincent Van Gogh's painting "Starry Night" and describes a lesson where fifth- and sixth-grade students created their own version of the artwork. Explains that the students utilized four colors of Permoplast clay, using their hands and fingers as brushes and blending tools and the clay as paint. (CMK)