Within the modern institution of schooling, educators portray children as lacking in knowledge and maturity and try to restrict their access to the issues that undermine this assumed innocence. Such renditions of children produce hierarchical power relationships in which children's ways of knowing are seen as what Foucault (1980) called…

In February and March 2007, the author investigated the possibilities of visual culture art education in two Greek Primary schools in Athens with students in Grades 5 and 6. One of her goals was to determine whether or not the telenovela genre was appropriate as curriculum content in primary art education. She chose telenovelas because they are a…

Uses a photograph of Michael Heizer's earthwork sculpture "Double Negative" to encourage students in grades 4-6 to discuss ways in which an artist may communicate ideas by creating ultra-large "landscape sculptures." Provides student objectives, background information on the artwork, instructional strategies, and evaluation criteria. (GEA)

Using Tony Berlant's 1982 collage entitled "I," this lesson introduces students in grades four through six to the variety of materials artists can use when making a collage. (BSR)

Presents a lesson on John F. Peto's 1904/1906 painting "A Closet Door." The lesson is intended to introduce students in grades four through six to still life painting. (JDH)

Provides a lesson to familiarize students in grades four-six with the many ways that artists use the technique of collage. Students observe and discuss ways artists make use of materials other than paint on canvas. Examines how the introduction of foreign materials to a surface affects the illusion of space. (LS)

Presents a lesson plan which uses "Water," by Iri and Toshi Maruki, to provide students in grades 4-6 with an approach to artwork which deals with devastating current events. Students explore artistic collaboration, Japanese beliefs, contemporary conflicts, and contradictory meanings in images. Includes background information,…

Uses a print of Homer's painting, "The Fox Hunt," to introduce students in grades 4-6 to paintings of wildlife as both factual record and as a storytelling medium. Includes learning objectives, instructional strategies, and background information on the artist. (GEA)

Focuses on the multiple-visit program called "Art Around the Corner" at the National Gallery of Art in Washington, DC. Reviews research done on the program in order to determine the impact of "Art Around the Corner" on students. Explores the key ingredients of a successful multiple-visit program. (CMK)

Offers a full-color reproduction of Jacopo del Sellaio's painting, "The Adoration of the Magi," and a lesson plan for using it with children in grades four through six. The goal of the lesson is to familiarize students with the concept of symbolism and its use in early Christian art. (JDH)

"Public art" is a broad term that refers to art in public spaces and includes architecture, landscape, and urban design. Public art makes public spaces more beautiful, encourages us to pause and interact with our environment, or reminds us of important people and events. Just as often, public sculptures become such a part of our everyday…

Presents a lesson plan which uses Richard Tuttle's "Monkey's Recovery" to introduce students in grades four to six to contemporary nonrepresentational sculpture and to the critical discussion of the assemblage art-making process. Includes student objectives, background information on the artist, instructional strategies, evaluation…

Provides a lesson plan designed to introduce students in grades four-six to the concept of social realism as it is portrayed in twentieth century Latin American art. Uses Antonio Berni's "Noon Time" in implementing instructional strategies which enhance analysis, interpretation, and judgment. Suggests a creative activity for studying…