Four studies tested claims that young children are inhibited in attempts to change drawings because of constraints by order in which representational elements are drawn. Found that procedural rigidity levels did not predict preschoolers' performance when asked to change their representation and that preschoolers could change rigid sub-procedures…

Describes a lesson that teaches kindergarten students how to enlarge a smaller drawing onto a bigger piece of paper. Explains that the students create their heart-shape designs using tempera paint and pastels in the larger picture. Includes a list of materials. (CMK)

Describes an art project that was used with first grade students in which they learn about Vincent van Gogh's style of painting. Explains that the children learn to create circles and straight lines and how to fill in with color. (CMK)

Describes an art activity in which fourth-grade students created Expressionist paintings. Explains that the students selected a newsprint portrait that depicted an emotion and then the students created a picture with the emotion but exaggerating it. Discusses the process in detail. (CMK)

Presents an art activity that enables first-grade students to learn about color mixing by driving toys trucks through paint. Explains that the students created rainbow fish and drew the background with crayons. States that this activity demonstrates how to utilize nontraditional tools or objects when creating art. (CMK)

This paper reviews the literature on projective drawing tests and child sexual abuse, focusing on children's drawings as an associative tool for memory. The use of the event drawing series, which is a series of seven drawings by a child that graphically present the child's thinking about a specific event, is discussed. (JDD)

Tests the hypothesis of U-shaped development in graphic symbolization that postulates similarities between the drawings of preschool children and adult artists, and the loss or suppression of the early facility in middle childhood. Confirms the existence of a decline in symbolic skills in adolescent children. Presents implications for art…

Discusses an activity in which students in an after-school art class drew one another on pieces of 2-by-4 scrap lumber in order to create a class portrait in three dimensions. Stresses that the portraits on the wood blocks were done in-the-round, or each side was covered. (CMK)

Describes an art lesson for third-grade students in which the teacher invited various members of the community to act as drawing models for the students while simultaneously providing the third-graders with role models. Explains that the models were intended to provide students with visual interest for drawing and an intrinsic social value. (CMK)

Describes a fifth grade art activity inspired by a restaurant logo that consisted of angled faces fragmented down the middle, with geometric profiles, in bold colors. Explains the process of creating the abstract split faces, from the initial drawing to adding colors. (CMK)

Presents an art activity for first grade that uses multicolor scratch paper. Explains that students make scratch-drawings of bird nests, then, as a class, discuss types of birds and bird positions (such as sitting or flying), and finally each creates a bird to add to the nest. (CMK)

Focuses on individualized expression resulting from ideas and skills that have developed over time. Describes how students first drew a group of people, then used values and added background details, and finally enlarged the drawings demonstrating their own ideas. (CMK)

Describes a unit on lighthouses, originally a social studies unit, in which students participate in two art projects: (1) a lighthouse printmaking activity and (2) a scratch-etch activity using lighthouses. Describes the steps for printmaking and the process of creating scratch-etch drawings. (CMK)

Explores the multilayered nature of a single picture book by Anthony Browne and the sophisticated responses (including their own pictures) children ages 4-11 bring to interpreting such a text. Suggests that some children who are not yet confident at reading print have developed impressive capacities for analyzing image. (SG)

Describes how one teacher helped preschool children draw. Shows how she guided a 4-year-old to use stencils to draw fish independently, helped children use their knowledge of shapes to guide their drawing of animals, and guided children to draw what was important to them. Asserts that helping children to express their ideas independently in…