New understandings of drawing, emerging from the conjunction of methods and models from cognitive science and arts-based research, have important practical applications for art education and beyond. This article gives a brief account of recent drawing and cognitive research and discusses the relevance for art teachers. Through their research, the…

This article is an account of a national project established to support secondary school art teachers to re-engage with their own artistic practice. It draws extensively upon the experiences of the participants and examines the value of teachers making time for their own practical work, both personally and professionally. Beginning in January…

In the first half of the 1800s, John James Audubon roamed the wilds of America attempting to draw all the birds in their natural habitat. He published his life-sized paintings in a huge book entitled "Birds of America." Audubon developed a unique system of depicting the birds in natural poses, such as flying. After shooting the bird, he would wire…

When art classes are short and infrequent, it is always a challenge to meet required state and national standards. A unit comparing and contrasting Peter Max's Pop art portraits with the realistic style of Gilbert Stuart's presidential portraits provides an opportunity to address a huge number of these requirements. Focus can change with the age…

Very often, secondary art students feel most comfortable drawing from photographs or images they find in books or magazines. Although the author does find these drawing experiences play an important role in the introduction to drawing, and that these images keep students interested in art, it is important to encourage lessons in drawing from life.…

In this article, the author describes how her third-grade art students made linear face drawings. Inspired by Pablo Picasso, an artist who tried to maintain the quality of child-like art, the students invented their own abstract line faces true to Picasso's artistic intentions. (Contains 1 online resource.)

In this article, first-grade students were taught the different kinds of lines that were part of the construction of various bridges--the curved lines of the arches of stone bridges, straight lines connecting the cables of a suspension bridge, vertical lines, horizontal lines, and so on. They gained practice in drawing structures and in fine brush…

James Rosenquist's giant Pop-art panels included realistic renderings of well-known contemporary foods and objects, juxtaposed with famous people in the news--largely from the 1960s, '70s and '80s--and really serve as visual time capsules. In this article, eighth-graders focus on the style of James Rosenquist to create their own Pop-art panel that…

The ecological realities of many communities are desperate but not determined. As teachers inevitably encounter these realities in their communities, they can respond by activating students' imaginations to conceive of better alternatives. Greene (1995) outlined how the imagination has the power to envision alternative realities and better…

The author's school is only 30 minutes from New York City, so every year when second-graders study towns and cities, the students do a project based on New York City landmarks. This year was the Statue of Liberty. The author introduced Peter Max's famous Pop art to her students, and explained that, as the art world kept changing, artists decided…

Louise Nevelson, who is called the "architect of shadow," was a "dumpster diver" of her time, collecting found objects in the wee hours of the morning before trash pickup. Recognition evaded Nevelson until she created "Mood Garden + One" (1958), when she was almost 60 years old. In this article, students create their own assemblage using…

Many educators would say that pencils, paint, and paper are the most important tools in the artroom, but are they really? If they look deeply at how students create art, it is their beginning ideas and concepts that gauge the success of a work of art. Without proper planning and guidance, even the most talented students will struggle through their…

What excites the author the most is finding something new and turning it into a lesson her students will enjoy and learn from. Lately, she has been most inspired by the work she finds on one website. The lesson began with a brief PowerPoint based on an artist's website. This particular artist--Jennifer Schmitt--does reduction prints using several…

The author personally started making narrative collaged necklaces about 10 years ago, after being inspired by an artist friend. She would take mini images from magazines and collage them together onto laminate tile samples from a hardware store. She then adds colorful brads and stickers, and then paint and oil pastel over them, finally sealing…

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 Things to Learn in Art School", artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both…